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A Climbing Two year Old

Byrichard

A Climbing two year old is ordinary. They try to climb on to chairs, they climb to stand up. They climb up the stairs and the swings. What is less ordinary is for a two year old to rock climb like a grown up. As I watch the video below what inspires me the most is to see such a young human climb like a grown up. She learned by watching others and by being given the opportunity to practice at home and in climbing gyms.

This video makes me happy because it is nice to see such a young person learn to climb. If I had been given the support and opportunity, and if the sport had been more evolved, then I too would have started climbing at a young age. I used to climb trees, climb on to garage roofs and occasionally climb rocks from which I could eventually get down. I had to wait until I was more than 20 years old before I could climb my first “dalle”. This child was given access to that world from a very young age. Her first memory will surely be of climbing.

To make this story news worthy they had to add conflict of course. They had to speak about how some people who watch this think that it is dangerous to allow a child to climb. As the mother said “When she climbs in the gym we are watching her and she has 19 inch thick matts to fall on. The playground and the street are more dangerous”. They go on to say that she face planted on a street. Every single child does that. That’s the beauty of being a child. You’re bound to fall, cry, be picked up by your parents, and then a few minutes later start playing again. Climbing when you’re with the right people is no different. When and if I have children I will teach them about snowboarding and rock climbing and snorkelling. I want to pass on my passions. I want them to be the next generation of sports enthusiasts.

IFSC Climbing World Cup Villars 2016
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IFSC Climbing World Cup Villars 2016

Byrichard

I will be present at the IFSC Climbing World Cup Villars tomorrow. For me climbing has always been an active rather than a passive sport. It has been a sport where the landscape is nice and the crowds are small. Tomorrow will be the first time that I go and watch as other people climb.

It’s not that I don’t watch people climb. Between climbing gyms, bouldering gyms, via ferrata and Rock climbing it is a sport that I have explored in depth. What I haven’t explored in depth is climbing with an audience, climbing as an event, climbing as a competition.

Program

Friday 15th July
9.00 – 16.00 Men & Women’s lead qualifications
17.00 – 19.00 Men & Women’s speed qualifications
21.00 Speed Finals Women & Men (LIVE)
22.00 Award Ceremony (LIVE)

Saturday 16th July
10.00 – 12.30 Lead Semi-Finals Men & Women (LIVE)
20.00 Men lead Finals (LIVE)
21.00 Women lead Finals (LIVE)
22.00 Award Ceremony (LIVE)

Instinct tells me that lead climbing should be the more interesting discipline as it relates directly to the climbing I do. Speed climbing could be fun and interesting to watch but it has less practical applications in ordinary climbing life. If I want to be lazy then I could go up on Saturday and stop asking questions.

On Saturday from 1300 to 1600 there is the concours populaire, That’s when amateurs can try their hand at speed climbing.

Villars Sur Ollon is a place that I have visited a number of times but for once we should be welcomed by summer rather than winter temperatures. It will also be for climbing rather than skiing, hiking or après ski. I will take pictures and let you know what the experience is like. It’s nice after organising satellite distribution for sporting events finally to go on location. We’ll see how energetic the crowd is.

 

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A Rock Crawler and Wildlife Film Making

Byrichard

When Gordon Buchanan was following bears in the United States we watched the resulting documentaries on television. We have seen him a number of times in episodes of countryfile as well. Now he is working on getting footage of wolves in the wild. For this project he is staying out in the wild and following a pack of wolves day after day for weeks. As part of this project he is filming with a broadcast camera and gopro cameras which he fixed on to a “rock crawler”. The Rock crawler is a remote control car with the body removed.

The BBC were working on a documentary about polar bears and for certain shots they created a den for filming purposes. It helped to tell the story but people felt that the purity of that documentary had been tainted. This genre of documentary aims to tell a genuine story with no reconstruction or trickery. Everything has to be genuine.

As we see from the footage above Gordon Buchanan was able to get the camera right up to the den and film the wolf cubs from the mouth of the den. This technology is great for story telling because it provides the camera operator with greater flexibility. He is able to get the camera to where he wants it to be without going there in person. In theory animal behaviour is genuine.

Sensory: BBC Wildlife Director John Downer & the technology of ‘spy-cam’ filmmaking from Getty Images on Vimeo.

With this technology a greater variety of shots can be achieved, from flying with specific birds to traveling under water with penguins and lounging in a pool with tigers. In essence spy creature cameras allow wildlife filmmakers to get genuine animal interactions without relying on luck. They can make their own luck and the natural history documentary genre benefits.

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Post-fact Britain

Byrichard

I was in the graduating class of 2000 with 99 other students representing more than one hundred countries. As an individual I already have three nationalities and four identities. I am British, Italian, Polish and a foreigner living near Geneva, Switzerland. As a result of this mixture I said, when I was in Tanzania in 1999 that I was European because that was the simplest way to describe my identity. When I first heard about the Brexit Referendum months ago I thought that this was so stupid that I thought it was not a serious project. It did become a serious thing, especially in a post-fact Britain.

Because these narratives typically involve a selective use of facts and lenient dealings with matters of truth, they have given rise to symptoms of a post-factual democracy. A democracy is in a post-factual state when truth and evidence are replaced by robust narratives, opportune political agendas, and impracticable political promises to maximize voter support. source

For months I saw that The Guardian and other newspapers were heavily critical of the European Union. You couldn’t read an article from their website without getting the feeling that Europe was a terrible place. This bias, this message encouraged me to switch to French language media to get a less biased, less anti-European narrative. The Guardian is relatively open compared to the British tabloid press. The British tabloid press lied and misled its readership. Twice The Sun lied about the Queen supporting Brexit. Twice it suffered no consequences.

It is well known that Murdoch is anti-European. Few men have done more to fuel anti-European frenzy than the Australian-American media tycoon Rupert Murdoch, owner of several newspapers and the UK’s most important private television news channel. In his book How Britain Will Leave Europe, former Minister for Europe Denis MacShane describes how former Prime Minister Tony Blair considered holding a referendum on adopting the euro, only to renounce the plan for fear that the “shadowy figure of Rupert Murdoch” would use his media empire to campaign against it. Source

When you control the media it is easy to push your agenda forward. Conspiracy theories are always about how our privacy is being invaded and about how our phone conversations, e-mails and other communications but few of them address the problems of indoctrination or brainwashing. They rarely look at the message that we are being given on a daily message. We have to ask “What is the root message that we are getting?” In the United Kingdom the root message was “Europe is bad”. Imagine if the BBC, The Guardian and other news sources had provided both sides.

The website notes that as an EU tier 1 area, “companies can benefit from the highest level of grant aid in the UK”. Earlier this year the sports car company TVR announced it would build a factory and create 150 jobs there. Will it still come? Will the Circuit of Wales, a multimillion-pound motor racing circuit a private company has been proposing to build on the town’s outskirts creating 6,000 jobs? Will the £1.8bn of EU cash promised to Wales for projects until 2020 still arrive? source

Imagine if the Fourth Estate in the United Kingdom had been used to provide people with clear examples of how the EU was investing in the UK. Imagine if instead of focusing on getting people to vote Leave the British media had provided a complete and unbiased view of the European Union. Wales voted against the EU and yet this article shows that they had a lot to gain by remaining within the EU. Between 2014–2020, Wales will benefit from around £1.8bn European Structural Funds investment. Source . 

In his first public comments since last week’s historic referendum vote, the owner of newspapers including the Times, Sun and Wall Street Journal said leaving the EU was like a “prison break … we’re out”… Source

There was a period when we could read about the imbalance in wealth and investment between Rural England and London. This imbalance was making people uncomfortable and one of the reasons for which the BBC decided to become decentralised was to address this concern. It is interesting that for a number of months the BREXIT campaign has focused all of that dissatisfaction at the EU rather than London. In a 2010 article by the BBC we find this sentence: But even fans of London admit it is too expensive, too dirty and too crowded. And its critics say that it sucks talent, money and opportunities out of the rest of the country. source. Brexit has not resolved this issue. Could this explain why around 7 percent of the British population have emigrated from Great Britain?

According this this article 4.9 million brits emigrated from the United Kingdom to live as migrants in other countries. This figure is from the UN population division. In theory I am British migrant as I live outside the United Kingdom. Brexiters (I will not play their game and call them brexiteers) made such a big song and dance about migrants coming to the UK and yet  British people are the single most mobile population in Europe. In Switzerland you can’t go a day without meeting Brits. Can you imagine the backlash if Europe decided to behave like England did?

I believe that people spent so much time worrying about privacy that they forgot to think about the prominent message in the media. They were groomed to see Europe in a negative light and voted accordingly. By choosing to provide people with the message that they wanted to hear the Leave campaign won. In a Post-fact Britain the checks and balances to hold brexiters to account failed. A campaign was won on lies and instability has resulted. The silver lining for other nations is that pro-european sentiment has risen. They have seen what a farce anti-European movements are.

 

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Watching clouds form as a 360 timelapse

Byrichard

Time-lapse videos are fun because we can see something happen faster or slower than real time. By watching this content we gain a better understanding of the world and how it works. For years I have been filming time-lapses and the results can be fun. In some cases we record time-lapses with video cameras and at other times we set an interval timer to take pictures every so many seconds. In this post you will be watching clouds form as a 360 timelapse.

I have chosen to share both the flat image and the spherical image. The reason for sharing both versions is to give you an overview of how objects move in both.

Spherical Version

With this version look to your right and you will be able to watch the clouds move through space. As they move you will see them grow thicker and then cover the sun. At this point everything gets darker. If you watch this video a few times you can watch the landscape change.

The next step would be to get a 360 camera somewhere high during a total eclipse of the sun by the moon. During such events you will see a grey mask cross over the landscape, you will see birds fly away and then everything will be dark. You can then turn around and watch totality, the corona and then the reverse process. The time is right for eclipse chasers to be at the right place to capture such an event as a 360 video.

Flat Version

With the flat version you can imagine where you would aim a standard camera. Would you try to get the clouds that are forming over the mast or would you prefer to look out towards La Dôle and watch as the large clouds form and float to block off the sun? In this image you can see from Villeneuve and Lausanne to Geneva and the Salève.

Having such a wide angle of view allows you to see everything that is going on in front of and behind the camera. The timelapse is a sequence of pictures rather than video so in future I hope to export the video in a higher resolution.

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Spy-cam wildlife filmmaking

Byrichard

Spy-cam wildlife filmmaking is an interesting discipline. It builds upon the decades of innovation that the documentary film genre has built upon. From the earliest images by the Lumière brothers of the workers at a factory to the development of film editing by Eisenstein and Dziva Vertov demonstrated by “The Man With the Movie Camera to sync sound with the Crystal sound system used by Jean Rouch for Chronique d’un été.

The BBC is seen as the leading example of high quality television programming and this has been the case for decades. The Natural History Unit is responsible for some of the best wildlife documentary films and series and with good reason. They adopt the latest technology, hire crews for months or even years at a time, to capture nature’s spectacle and beauty, and bring it to living rooms around the world.

Sensory: BBC Wildlife Director John Downer & the technology of ‘spy-cam’ filmmaking from Getty Images on Vimeo.

This attention to detail and this dedication to getting the best images has resulted in some of the best looking documentaries around. the Blue Planet Series, the Planet Earth series, Life and others have provided people with what I like to call a video encyclopaedia of the natural world.

The technological innovation that we see in the video above demonstrates how animals and behaviour that we had seen through a tele-lens can now be seen up close and with as natural a behaviour as possible. Almost every book I have read about the documentary genre speaks about capturing life with as little alteration of natural behaviour as possible. This technology is making that wish a more realistic goal.

Getting an audience to film screenings
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Getting an audience to film screenings

Byrichard

Adam Aron, CEO of AMC recently made a generation of cinema non-goers angry with him when he said that he would allow texting to take place during projects. My generation, previous generations and the generations of the future complained on social media. Getting an audience to film screenings requires an understanding of what they prefer to do instead.

In the “Golden Age” of my cinema going life I would go to the cinema up to three times a week. I went this frequently because I lived close to the cinema, because we had two GBP Tuesdays and because it was something to do when other people were not available. Over a period of months I went to see more than 90 films. A consequence of this habit was over-familiarity with the codes and conventions of mainstream cinema. Since that “golden age” I have seldom been back to the cinema. When you know everything that will happen in a film within the first 15 minutes you get bored.

I know AMC through its television Series of which the Walking Dead is one. This is a series that I did binge watch when it was fresh and again when it was made available via netflix. Television series have better writers and better storylines than films. They also don’t overdo it with super hero rubbish and special effects. As these productions have storylines we care enough to watch one episode after another. Films fail to engage us in this manner.

When I was in London I went to a few screenings. The screenings I usually went to in London were at the Front Line Club. You would watch a documentary about current affairs and there would be a panel to discussion to discuss what you had just seen. In Geneva I found that the graduate Institute has started to do the same thing. I regularly go to such events because I like to complement what I already know by watching interesting productions and then listening to questions and answers sessions and learning something new.

Montagne en Scène is an example of what AMC should think of doing. They need to find and fund the production of films for niche markets. Montagne en Scène is an event where four mountain related films are projected to a specialist audience of mountain and sports enthusiasts. This niche usually relies on youtube and vimeo to find and share footage of their passions. By organising a special day these enthusiasts are encouraged to come to film screenings.

AMC is competing against mobile phones, televisions, Virtual reality goggles, tablets and Video on Demand via the World Wide Web. what they need to do is lower the price and make it more convenient for people in contemporary culture. Having panel discussions at the end of a screening is one way of attracting people. Lowering the ticket price would be another way. If they stopped making CGI films with no story then I would start going to the cinema again. This complain extends to the crappy films currently available, at least in Switzerland on Netflix. If Netflix did not have television series I would have stopped paying for their service months ago. If you treat your customers/viewers like mature adults then there is a good chance that you will attract them to film screenings on a more regular basis.

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Thoughts on the New York Times Article about Project Aristotle and its findings

Byrichard

When I read this article I can’t stop thinking of the Prototyping sessions at Lift 2016. Teams from big corporations worked together to collaborate on exploring new ideas and developing new projects. Some had to work on a video, others had to work on models. Others had to create 2d representations. One set of tables had people working on music, graphics and more.

We had to record a number of interviews and they often said that they enjoyed being out of the office, in a different setting with different people. They spoke about how valuable this experience was and that they wanted to do this frequently, rather than once every few years.

In this article they mention that ‘‘equality in distribution of conversational turn-taking.’’ is important for successful teams. I agree whole-heartedly with this statement. I am not a forceful person, I wait until I am asked a question before speaking. As a result it is easy for me to switch off and think of other things. By finding a team where people listen to everyone else we engage people.

This is a topic discussed in Insanely Simple. It’s a book about Steve Jobs and how Apple works. They speak of the eight-person meeting. If you’re not needed you’re not allowed to be in the room. The focus is on keeping groups small and dynamic rather than large and clunky.

‘‘As long as everyone got a chance to talk, the team did well,’’ Woolley said. ‘‘But if only one person or a small group spoke all the time, the collective intelligence declined.’’. That’s because listening is an act of kindness but no more. What responsibility or accountability do we have in a team where one person takes over the conversation?

‘‘average social sensitivity’’ That’s good for my personality type. When I take personality type tests seriously and for fun I get Intuition as one of the four words… “skilled at intuiting”. Compassion is an important part of good team dynamics. “People on the ineffective teams, in contrast, scored below average. “

One of the books “Give and Take: A Revolutionary Approach to Success” explores this idea in depth. It devotes quite a bit of time exploring team dynamics within the Simpsons creative team. It speaks about authorship, co-writing and collaboration as keys to success. It speaks about letting people work a first draft of the script and getting teams of people to re-work and re-write it. I have heard about this taking place on a lot of television shows. This could be one of the reasons why American television shows are compelling to watch. As teams work on projects everyone feels compassion for the end project, rather than individuals.

What Project Aristotle has taught people within Google is that no one wants to put on a ‘‘work face’’ when they get to the office. No one wants to leave part of their personality and inner life at home. But to be fully present at work, to feel ‘‘psychologically safe,’’ we must know that we can be free enough, sometimes, to share the things that scare us without fear of recriminations.

I started writing this as a facebook comment but saw that I was inspired enough to write a blog post instead.

 

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Cycling in Winter

Byrichard

After cycling over 1100 kilometres in 2015, I aim to cycle 1200 kilometres in 2016. This goal is an easy one to achieve. It’s the 21st of January and I already have 100 kilometres logged. The weather over the last three weeks has been cold and wet. We have had rain almost every day and it recently turned to snow. As there is a lack of good weather there is no choice but to go out in the bad weather.

Cycling in these conditions is messy. Your clothes get soaked from the rain and as I cycle in the countryside I come home covered in mud. When I get home I change into dry clothes and I recover quickly.

Rain is easy to deal with once you’re ready to feel wet and dress for the cold. What is more challenging is cycling on slick tires on snow. Some of the roads I cycle on are salted and cleared but as I also use agricultural roads they are covered in snow. Safety takes focus and concentration. The rear wheel skids if you apply too much force to the pedal and the bike can skew if you are not careful.

Cycling in such conditions is not ideal. It demands resistance to the cold, stamina to continue making the effort and determination to set an achievable goal. I will continue towards 200 kilometres by the end of February. Cycling consistently now will make summer all the more pleasant and rewarding.

 

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Day In Auschwitz

Byrichard

“If you were young and healthy and if they needed labour then you were selected as slave labour. You would have suffered a slow death rather than a fast one”. This soundbite is 13 minutes in.

In this documentary a concentration camp survivor takes two girls who are the age she was when she arrived through the camp and tells them about her experiences.

We owe it to future generations to keep re-sharing these accounts and documentaries to prevent such actions from ever happening again.

I have just finished watching the documentary and I feel almost shell shocked. I have been to the camp and I have read about the topic. I have also watched a number of topics on this topic. What makes this the most poignant documentary is that this woman, this grandmother of eight is making sure that future generations are aware of what Auschwitz life was like. She tells us about survival.