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the tapeless workflow – Videoforum
The tapeless workflow is a term used to describe video production without the use of tapes. That is to say that from the point the material is recorded in camera to the point it is distributed it never changes from being data. In other words television production has become a profession of data managment as some would say.
A few production companies came to give demonstrations of their tapeless workflow system, at least in broad terms. Red Bee and Virgin Media showed how they have collaboratively brought the post production process to being a tapeless one. In order to do this good networking capability is needed and so is storage. They had to digitise over 40,000 tapes as well as face many more challenges.
Some of these challenges have to do with meta data. Everyone is used to dealing with tapes. you shoot your material, you label it for post production and then store them for later use. When dealing with data though the mentality is different. Some productions have shot straight to P2 cards, backed up the day’s shoots to external P2 hard drives before sending them from China to London for example. Of course when doing this everyhting must be planned ahead.
Part of this planning has to do with the compatibility between recording format and editing. If you get this wrong then you either don’t get the quality you were looking for or you slow down the process. That was part of a case study between Panasonic and two of it’s camera’s during a shoot in China.
The second example was between Red Bee Media and Virgin Media in relation to the creative Village. The idea is that when the material is ingested by Red Bee media it’s saved to a central server from which it can be accessed by a number of workstations, from transcribing to tapelogging, editing and producer’s work stations. it also has to be available in two buildings.
There are a number of advantages to this workflow. The first is that the work is available to the producers when they have the time to check the material rather than when everyone has ten free minutes. As a result the editor can edit a rough cut and a number of producers at up to two hundred workstations may check the edit and say whether they like it. If they don’t then it’s quick to make any changes that are required. It also means that there’s far less mess and expensive equipment is not tied up.
When you’re working on post production dubbing to tape used to take a lot of time, real time and with DVD it’s quickly a messy affair. Files in an edit folder are far easier to deal with.
I really like the idea o the tapeless workflow and i’m going to work on that for my own work, first with affordable equipment and then work my way towards more fun alternatives. It’s what we expect. No more ingestion time, no more dubbing time, just straight editing, agreement and finally output to a number of formats. Of course that’s not as easy as it sounds but post production companies are working on making this a smoother process.
The Selfie Stick cutter
In some cities you see a strange set of creatures and the selfie stick cutter is there to resolve this issue. People carry long poles at the end of which they stick their camera. They look at the phone held at a safe distance and smile, do victory symbols and other such gestures. These sticks would be really interesting if they were used to provide people with interesting images. Instead they are used to take pictures in interesting places with ordinary people in front. As a camera operator I photograph landscapes or monuments. It is an old fashioned habit.
The selfie stick is so endemic to some parts of the world by now that pranksters run around and cut people’s selfie sticks with the phone still attached. You can watch as dozens of phones fall to the ground in this video. Mobile phone repair shops must really enjoy watching this video. Look at all the work they will soon have.
I think that this video is meant to be seen as a joke but can you imagine how much anger such an action would generate. Can you imagine how fast you would have to run away from some of these people. You see these people look surprised and in some cases betrayed.
They have a quarter of a million views so far and it will grow from tomorrow onwards, as people in offices share the video with their friends and colleagues. Maybe by next week it will have more than a million views. Selfie sticks are popular and so are pranks. With the money they could make from monetising this video they could compensate the people whose screens they broke.
Selfie sticks do have one practical purpose. You can fix 360 cameras to them and take pictures without the giant index finger getting in the way. That is how I use one. You can get them for cheap from certain types of shops. You do not need to spend 29 euros.
Watching independent film rather than mainstream cinema
When I saw the Wired headline below I was happily going to say that I haven’t been to see a film at the cinema in years but that isn’t strictly true. As you have seen from my blog I have been an active appreciator of independent films. I was at FIFAD earlier this month and I was at the Montagne En Scène a few months ago. I have been to a few film screenings at the Graduate institute among other places.
I love watching good films and I love going to the cinema but at the moment there isn’t a single mainstream film that I want to see. Every single film is filled with CGI and fantasy and as I have joked about why would I spend 25 swiss francs on a film ticket to go to a film screen at a specific time when I could watch youtube gameplay videos and discover the story at the same time as the youtuber.
Last week I decided to stop my netflix subscription for two reasons. The first reason is that the content is crap. As they have a selection of films that have recently been shown at the cinema there is nothing that makes me think “That’s what I want to spend the next 90 minutes of my life watching.
Imagine if Netflix showed more extreme sports, adventure, environmental and other films. Imagine if they showed films that make us dream and aspire to more. Films need to be for other people than sci-fi geeks. They need to be for sports enthusiasts, for people that follow current affairs and for people that live in the real, rather than fictional world.
When I was living in the South West of England I went to the cinema ninety times in 9 months and what burned out was not my passion for the cinema but my ability to watch the same story line over and over again. The lack of creativity and originality is destroying people’s desire to go to the cinema. I have no reason to go to Pathé or other cinema complexes around Geneva because they do not show the films that I want to see. They do not address my niche.
Montagne en Scène, FIFAD and I think the Coupe Icare film festival fulfil my desire to watch films. They cover topics that I am either interested in passionate about.
Les Icares du Cinema 2015 from coupeicare on Vimeo.
Doesn’t the trailer for the film festival make you want to go? Don’t you want to watch people pushing themselves to the limit of their courage and endurance? I watch a trailer for an event like this and I definitely want to go. It fills my desire to challenge myself through the sports I do but also to see beautiful scenery and lanscapes. Why would I want to go and see CGI films when I can see extreme athletes challenge themselves and their equipment to the limits. Watch the video below.
Coupe Icare 2016 from coupeicare on Vimeo.
I watched this video at least twice and you see that whilst hollywood is filling its films with make believe the independent sector is documenting those with a real adventurous spirit. Imagine going to the event for the film festival and staying for the aerobatics.
For years now the film industry has been re-hashing the same content with no appreciation of societal changes. As a result they fail to capture our imagination and our desire to spend money. They need to inject new blood and find new creative directions that will make us want to go to the multiplexes rather than independent events. I enjoy the multiplex experience but the content dissuades me.
High Definition Pleasure
I love high definition because it reminds me of those massive paintings you see in art galleries. You know the ones. It’s those that have things happening in different parts. Look to the top right and you see one set of people, look at the centre of the image and you notice something slightly different. Look to the right of there and yet another story is told.
That’s because high definition is a large canvas where everyone that appears in the shot tells a story. Look at that shot. You see Obama in the foreground and you see the faces behind. You see the family, you see the faces of those that are having a good time, those that are there because they have to be and more.
It’s also about eavesdropping in the visual sense of the word. You look at the action in the foreground but you can also look at the book shelf, you can see which titles are present. You can see the marks on the walls. You can see that person sitting, and from the facial features see whether they are tired or full of energy.
I just love high definition. I’ve been watching high definition content and I must admit that documentary is the type of content that may be the most fascinating. You see reconstructions of historical battles, background actions and it’s just a full image. If it was audio it would be high fidelity. It’s just complete.
It doesn’t require fast cutting, it doesn’t require close ups. What it does require is a process of thinking of how to provide a frame, an image, a canvas that’s interesting to look at. It’s getting closer to photography in a sense.