Similar Posts
The Right side of the transmission chain – acquisition
The right side of the Transmission Chain is at the event itself. Transmission chain is a term used to describe the route that a signal takes from an event venue to the device on which you are watching an event. As a camera operator the right side of the transmission chain for me is at the event itself.
Belaying
For the IFSC World Cup in Villars this year I was both a camera operator and a belayer. Belaying at a world cup event is an interesting experience because it’s rare to clip and unclip from so many climbers in such a short amount of time. Climbers have a limited time to get up the route. They have six minutes. This means that every 12 minutes or so you’re belaying a new climber as they progress up the wall. It’s a great task for introverts. You observe what the person is doing. When they need rope you’re ready to give it. If they’re struggling you make sure to amortise their fall. When they make it to the top or come back down you help them untie the rope and then you start again.
Camera operating
Aside from this task I was camera operator during the semi-final and final of the climbing competition. This means that whilst most people were standing in the crowd watching the competition I was on a podium in the middle of the crowd filming the climbers as they progress up the wall.
From here you see the crowd and you see the climbers from a privileged point of view. You can see the climbers and what they are doing comfortably. You’re also more attentive. You’re following their every move, watching as they clip and progress. You see them progress and you hear the commentator and hear the crowd cheering.
When you’re on the “wrong” side of the transmission you’re hearing the international sound and you’re seeing what the vision mixer is seeing but you’re not seeing the event in context. The image below illustrates this.
In television broadcasting you usually have the cameras, an OB van and an SNG truck or fibre connections. These go from the venue to the Network Operating centre. The signal is encoded either for web streaming and sent to the content distribution network or it is sent on to national broadcasters. On that side of the transmission chain you are in an air conditioned office as a passive observer ready to react if there is an issue and waiting for the event to end.
The Immersive Video market is coming of age
I see this as a good, not a bad thing. It means that 2016 is the year where we can experiment on what content and story types work best for VR. It gives us time to establish workflows and intuitions about what subjects will work in VR and which ones are better left to UHD HDR.
People did speak about how VR is more demanding, how short content currently works better than long form content. I think that adventure sports will fill the demand. Climbing videos are five to ten minutes long. They’re ideally suited for VR goggles because content is usually short and the content is dynamic. Base jumping, rock climbing, windsurfing, kayaking, snowboarding and other sports are well suited to the format.
Immersive videos are coming of age with dozens of headsets being made available. Samsung Gear VR costs 109 CHF, the Homido 79 CHF and the tepoinn around 19 USD. HTC Vive and the Oculus rift in contrast cost hundreds of CHF each and can be driven by one percent of computers currently on the market. (source)
The Gopro Omni, currently available on Pre-order is being launched at 5400 CHF. Contrast this to the Ricoh Theta S, available from about 390 CHF and you see why I settled for the cheaper solution. The Theta S is ideal to have with you at all times to experiment with whereas the Gopro Omni is ideal for facilities to rent out with an experienced camera operator. Software has been written specifically for this hardware solution which will simplify the workflow.
I look forward to when this technology comes of age, when people feel normal about watching certain types of content via VR goggles. I could easily see events where there is a VR goggles experience available. I also see content and goggles being made available at climbing gyms and sports shops to inspire people to make purchases based on the experiences they would like to experience themselves.
The Immersive Video Experience
I was at the World Virtual Reality Forum in Crans Montana this weekend as a volunteer. During this time I was able to try many of the demonstrations and get a real feel for the potential of 360° and immersive videos. I was also able to listen to people comment on what they appreciated about the experiences and what they did not like.
Vulkane in 3D und 360
One of my favourite experiences was Vulkane in 3D und 360. I worked at this exhibit two out of the three days helping two people at a time every three minutes experience this. I had watched a number of videos before this one and when I watched this one I said Wow because the experience was so beautiful. The quality is excellent and there are some vistas that are spectacular. We are familiar with watching volcanic eruptions but with this experience we are watching the scene as if we are there. As the volcano erupts we can see the projectiles and follow their course through the sky. This is a novel experience for many of us.
Chernoby VR project – 360
Another experience that I got to try and received good feedback from was the Chernobyl 30th Anniversary experience. In this case you launch an app on the mobile phone and you can see a number of videos. You have interviews, videos of locations and interactive content. With this experience you can listen to an interview with a woman who still lives in Chernobyl. As she talks you can look around the room in which she lives. This provides you with a better understanding of whom she is.
Reframe Iran
Reframe Iran is another 360° immersive documentary experience. This experience was appreciated by some and disliked by others. If you study documentary making you are familiar with Cinéma Verité, direct cinema and the fly on the wall concept. In this documentary a 360° camera was put in between the journalist and camera crew and the artist whom is speaking. As the artist speaks you can look around the room. You can look at the journalist, at the artist’s work, the couch in one corner or the bookshelf. You are in the room with them, like a fly on the wall. If you appreciate direct cinema and Cinéma Verité then you will enjoy this documentary.
DEFROST – The Series
Defrost was filmed using the Nokia Ozo and puts you in the place of a woman who was cryogenically frozen and then reanimated. For this experience we wore Samsung VR headsets and sat in a wheel chair. We were the re-animated woman. The experience was interesting because it allows you to feel empathy for whom you, as the viewer are meant to be.
The Difficult People Project.
The difficult People project has as it’s aim to provide people with an immersive experience in to the world as perceived by people with a different perspective on the world. In the first film we saw the world as someone would with hyperactivity. A second video was produced for the World VR forum and showed the world as someone with OCD would see it. This is a project that I personally contributed to with sound recording. The aim of the video was to provide you, as the viewer, with an experience of what it is like to go shopping with the disorder. You see the coping mechanisms via her interior monologue. You hear her worry that people are watching her, that people will see that she buys three of everything and that she may steal if she is alone in the aisle.
On the first day of the conference I was helping people with this experience and as I received feedback I started to see 360° or immersive videos as literature because of the way in which it enables people to feel empathy for the subject of the video. Some people said that they were curious to see whether they suffered from the same problems.
Viens
Viens can be translated as either “come” or “follow me”. I saw this as art, as an experiment which took advantage of what 360° videos have to offer. The camera is hanging from the ceiling and you see a group of people standing around the camera. At first they are hidden behind plastic but as you get further in to the video you see nude people standing. As the film progresses the camera changes position. At one point the camera is lower and you are looking up at giants. At another moment you seeing the action from above.
In each sequence you have the choice of which action you most want to watch. In this experience you choose what you want to see, rather than the camera operator or director. You are in control. You are the camera operator. This video really demonstrates the power of 360° videos. It demonstrates how immersive film making is an opportunity to think about what works well as an immersive experience and what works well as conventional video content.
The new role of camera operators
Immersive video content requires the content maker to think as a camera operator, to think about what is in front of the camera and what is behind it. It requires a new way of lighting a scene and a new way of recording sound. Wireless technology makes this much easier. In hallway conversations I heard people speak about how important it is to think as much about what is going on in front of the camera as much as behind it. If there is nothing interesting to see behind the person then normal video is enough.
Content duration is also relevant. Virtual reality and immersive experiences are still new to people. The experience can be tiring so short content is best, for now. When people get used to immersive story telling program length can grow.
The challenge now is to find subjects that lend themselves well to immersive story telling.
Springwatch – Some Swiss bees
Spring is finally back and the fun sports are about to start again. Via Ferrata, Rock climbing, hiking and other sports will be possible and we will see what new places I explore. While waiting for the season to start properly I took some time to film bees pollinating a form of apple tree. The images were captured with a Sony PMW-200. This camera records high quality images.
from Mainvision on Vimeo.
This summer I will work on projects and share them.I hope to realise my documentary about via ferrata at last. I have acquired some new skills but need to find people with whom to collaborate with.