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A Nonverbal Autism Video Interview
I saw Horyou share a link to Speechless with Carly Fleischmann. This is a Nonverbal Autism Video Interview carried out via typed words on a tablet.  The text is read out electronically. The interview is warm and convivial.
It stands out because it does not use a fast talking or energetic host. The interviewer does not talk, in the conventional sense. They could easily have inter-titles rather than synthesised voice. It is because they show the challenge of this interview that it is interesting. It shows that charismatic fast talkers are not the only people with an opportunity to interview artists. It shows that given the right circumstances anyone can interview artists and that desire and interest are required but that solutions can be found for other challenges. It opens up the world to a diversity of people. Imagine video interviews in sign language for example. There is no reason for a specialist channel not to take on this challenge, to fill this niche.
Three things make this possible: Video production costs have gone down so it is easy to find the budget to record such an interview, technology makes communication for nonverbal people much simpler and finally Youtube makes content distribution to an audience easy. This video has three and a half million views.
I will find more videos like this. I believe that they play an important role in modern society where we believe that everyone should be treated equally, to have equal opportunities. It is too easy to idealise the charismatic radio presenter who has a way with words and forget that charisma can be found in people’s intellect. You see it through the laughter in the interview, you see it in the way the interviewee is so relaxed. It’s a shame that there is just one interview. Imagine it as a weekly show.
FLYER THE ESSENCE OF E MOUNTAIN BIKING
Mountain biking is a sport that is growing in popularity. We see that technology is keeping up with the riders. Between suspension, specialist tires and safety equipment the sport has had the freedom to become more adventurous. Bigger jumps, more travel, stronger components all allow the sport to become more extreme.
Usually there are three ways to get to the top of a mountain. The first option is to ride up but with a mountain bike that can be tiring. I have an area where I can mountain bike near home but it’s a 12.7km ride up with a 10 percent grade. It takes two hours to get to the base. I could of course take the car up and cycle around at the top but this requires removing the front wheel and putting the seats down. Another option is to head to specialist resorts where the remontée mécanique are equipped to take bikes to the top of the slope. The third option is to walk up and push the bike.
In this video we see a fourth option. An electric mountain bike. I like the idea of mountain biking this way. I like the notion that the mountain bike will assist with getting up the hill more efficiently. Several times I have cycled up a 10% gradiant for a distance of 12.7 kilometres. With the mountain bike I use it takes 2 hours of almost non stop pedalling. It leaves me with little energy to enjoy going off road at the top. With a flyer I’d let the bike get me to the fun part and then use my own power to play up there.
I won’t buy one of these bikes but the video is interesting to watch.
D-Day Film archives on Facebook
Yesterday D-Day Film Archives were shared on Facebook. These film archives were of landing crafts landing troops on the beaches, of battleships firing rocket salvos at the coast, of gliders being pulled by planes, of paratroopers getting and more.
Over the years films have been preserved by transferring the footage from one film stock to another and then transferred from film to tapes. The problem with film and tape is that they are stored in a physical location that only archivists have access to. This means that if we’re curious about seeing the footage, like the footage included in this post we would have to go to the film archive and ask for permission to see this footage. Within a few hours, days or weeks we might get an answer. We would have transport costs, access costs and more.
The advantage of digital video archives accessible online is that everything is accessible within a few seconds with the right keywords. This means that a child hearing about the Second World War for the first time can do a quick search and see this footage. History, rather than being words on a page, is brought to life. It stops being an abstract subject for the mind. In this footage, we see our grandparents and our nephews and nieces see their great-grandparents.
An effort, by the international community, should be made to preserve, digitise and then make available as much of this film material as possible. The technology exists today so that, at the very least, we can have digital backups of all of this material and in the best case scenario for this material to be available for future generations to watch and study.
I have already spent 15 months as a video archivist and media asset manager and I would like to continue this line of work. I find it to be a fascinating and interesting way to learn about history. It inspires to find books that contextualise the material that I am seeing on screen. This material makes us more informed citizens of the society in which we live.