Every Rocketdyne engine was fine tuned and perfected by hand, from plans, that were modified but not updated. This means that each engine was unique. It would take trial and error to build them again.
With GIT and other forms of version control the entire process could theoretically have been logged and preserved, not so, in this context. Interesting video.
Two days ago I watched Nanook of the North, a documentary about an Inuit man and his family. This isn’t a documentary in the conventional sense. This documentary dates back to 1922 when the Documentary film was a brand new genre. This is one of the first documentaries, if not the first. I read about it for years, until, when I was watching Northern Exposure I did a search and came across the documentary on Filmin.
The documentary has no voice over because it’s a silent film. You get intertitles instead that explain what you’re seeing. For many decades the documentary genre existed hand in hand with anthropolgy, the idea that the documentary could be used to document old ways of life, fascets of life and more. Nanook of the North was an early experiment
At first Robert Flaherty filmed when he had time during an expedition. He would take the free time he had to document the lives of the Inuit. Eventually, the rushes burned due to a fire. He had shot 70,000 feet of film, almost twelve hours of 35 mm film. Hee was left with just the edit print. He showed it around before deciding that he didn’t like it, so he reshot Nanook of the North. (source: A New History of Documentary film, Jack C. Ellis and Betsy A. McLane, p12, 2005)
Nanook of the north is a series of static shots that show an inuit family living their lives. We see them at a trading post, discovering the gramophone tasting it and more. We read about the children enjoying some sweets, to excess, and then taking castor oil, and smiling. We also see a seal hunt, a walrus hunt and the trapping of a fox, among other scenes. We see some traditional forms of doing these various activities.
At the start of the documentary there is an amusing moment where the Kayak comes to shore, and you see the entire family climb out of it, including a dog.
If not for Nannok of the North then such a scene would be read or heard about, but never seen.
Nanook of the North did some controversy because it was seen as setup, as not really illustrating inuit life, especially the igloo scene. It’s interessting to see how clear ice was used as a window, with the adding of a block of snow as a reflector to get more light inside. I mention this because at least two or three times we see scenes that are supposed to happen within the iglood.
Due to how cramped an igloo is, and due to the lack of light, and film stock of the time, it would have been impossible to film within the igloo, so they faked it, outdoors. It illustrates the morning ritual. At one point we read, and see, the wife chewing a shoe, to defrost it in the morning, due to the cold night freezing it over. If the Igloo scene had not been faked outdoors, then the interior layout of an igloo would have been lost. By taking a small liberty we preserve history.
Although the film is 101 years old, at the time of the writing of this post it is still easy to watch today, and it is pleasant. It shows various moments of inuit life, without being boring. At moments it even feels more like a home video than a documentary. I found myself thinking that anyone with a family could watch it and enjoy it. It has survived the test of time.
For historical context, the Man with the Movie Camera would be shot seven years later, in 1929.
One of the luxuries of the Digital Age is that many of these films have been digitised, and in so doing they have been made easier to access. When I was reading about these documentaries I had to imagine them. I had to rely on frames of the film and descriptions. Now with a quick Google or other search we can find and watch these documentaries. They may be old, and they may be part of history, but students of the genre don’t need to search through university libraries to find VHS copies of old films like I did. Within seconds you can find content that took me years, or even decades to find. Nanook of the North is a key film, so to understand documentary we must watch it.
Hello Twitter-ers!
As you may already know, Obvious is the parent company of Twitter
and it’s never a dull day around here. Today our little building
is abuzz with activity surrounding an announcement that Odeo
(another Obvious product) is ready for a new home. We’re
entertaining offers from potential buyers because Odeo deserves
the same love and attention we’ve been heaping on Twitter these
days. Have you been by lately? http://twitter.com
More about Odeo: http://tinyurl.com/2yoy84
Defamer Brings The Oscars to Twitter
Popular Hollywood gossip blog Defamer.com is going to the Oscars
this Sunday and they’re bringing Twitter! Sorta. Follow Defamer on
Twitter and you’ll get live from-the-scene updates. Who won what?
What’s happening in the seats? What are the stars doing? Get the
updates on your phone while you watch on TV to make things more
interesting or if you can’t watch, just get the updates.
Text FOLLOW DEFAMER to 40404
or, Visit http://twitter.com/defamer
Oscars: http://oscar.com
If you haven’t set up your phone to work with Twitter yet, now is
a good time! You can do that here: http://twitter.com/devices. The
Oscars are broadcast live February 25 at 5pt/8et on ABC. Speaking
of coveted awards, you can still vote for Twitter and help us win
the SXSW People’s Choice awards. We will be so psyched if we win.
Vote Twitter! https://secure.sxsw.com/peoples_choice/
SXSW Update
There’s going to be lots of folks from three industries
represented at the SXSW Conference in Austin next month. We’ve
heard from people in the Interactive, Music, and Film industries
who are excited to get on Twitter during the week-long event.
We’ll have big screens set up in the hallways and we’re setting up
a special, easy way for folks to get their updates on the screens.
Once we set that up, we’ll tell you more. Even if you can’t make
it to SXSW, you’ll still be able to catch all the buzz.
Office Full of Great Folks
Obvious employs less than ten people but the building is filling up
fast since we’ve opened our doors to some other really cool
companies working on interesting projects. Two of the projects are
still top secret, there’s a couple Y Combinator startups sharing
space with us, and the other folks are 30boxes.com, Boso.com, and
the illustrious Niall Kennedy. (Hi Niall!) When the secret
projects launch, we’ll tell you about them–they’re cool!
http://30boxes.com
http://boso.com
http://www.niallkennedy.com/
http://ycombinator.com/
Okay, back to work. Lots to do this week!
Happy Twitter-ing,
Biz Stone and the Twitter Team
http://twitter.com/biz
Au Vieux Campeur held the summer mountain film screening event at the Batiment des Forces Motrices in Geneva. They introduced the event as being the opportunity for them to share the passion of the mountains with people who may not be aware of the activities that are possible. They then went on to say “but as we’re having the screening in Geneva we know that you’re just half an hour from the mountains so many of you are practitioners and today we may even have participants from the cancelled Patrouille Des Glaciers.
Four films were shown at Montagne En Scène. The films shown were A Line Across the Sky, a documentary following two less experienced climbers as they attempt the Fitzroy traverse during a rare good weather window, Chasing Niagra, a documentary about Rafa Ortiz and his preparations to shoot the Niagra Falls in a Kayak. The third film is Mont Rebei Project, a documentary looking to achieve a new Rope Jump record.
The Last film, and my favourite is Valley Uprising. It takes a look at the American climbing scene from the fifties up to the Modern day. This documentary is great because it provides us with a deep understanding of the American climbing psyche. Mountain climbing is a sport of passion and so to see how different groups helped this passion progress over the years is interesting.
Film screenings are in Switzerland, France and Belgium
The right side of the Transmission Chain is at the event itself. Transmission chain is a term used to describe the route that a signal takes from an event venue to the device on which you are watching an event. As a camera operator the right side of the transmission chain for me is at the event itself.
For the IFSC World Cup in Villars this year I was both a camera operator and a belayer. Belaying at a world cup event is an interesting experience because it’s rare to clip and unclip from so many climbers in such a short amount of time. Climbers have a limited time to get up the route. They have six minutes. This means that every 12 minutes or so you’re belaying a new climber as they progress up the wall. It’s a great task for introverts. You observe what the person is doing. When they need rope you’re ready to give it. If they’re struggling you make sure to amortise their fall. When they make it to the top or come back down you help them untie the rope and then you start again.
Aside from this task I was camera operator during the semi-final and final of the climbing competition. This means that whilst most people were standing in the crowd watching the competition I was on a podium in the middle of the crowd filming the climbers as they progress up the wall.
From here you see the crowd and you see the climbers from a privileged point of view. You can see the climbers and what they are doing comfortably. You’re also more attentive. You’re following their every move, watching as they clip and progress. You see them progress and you hear the commentator and hear the crowd cheering.
When you’re on the “wrong” side of the transmission you’re hearing the international sound and you’re seeing what the vision mixer is seeing but you’re not seeing the event in context. The image below illustrates this.
In television broadcasting you usually have the cameras, an OB van and an SNG truck or fibre connections. These go from the venue to the Network Operating centre. The signal is encoded either for web streaming and sent to the content distribution network or it is sent on to national broadcasters. On that side of the transmission chain you are in an air conditioned office as a passive observer ready to react if there is an issue and waiting for the event to end.
It is not rare for me to do a timelapse from La Barillette. Several years ago I tried a timelapse with a 360 camera where you saw clouds forming overhead and in a spherical video. I also filmed a timelapse of the Paléo parkings filling up. This time I went up the Jura in the hope of filming Autumn colours but as I got to the top my project changed.
The problem with filming Autumn colours is that you need to be there at the right time of day and with the light coming from the right direction. The light was coming from the wrong angle so stopping in the woods would have allowed me to get three or four frames before moving on to the next location.
When you’re in a car this type of filming is not interesting. It’s more interesting to get to one location and get a greater diversity of shots. The other advantage is that you can always head back down and get the shots you thought were still interesting.
As I looked from above and assessed the situation I saw that clouds were forming and dissipating. I thought that I may eventually find myself in a cloud with poor visibility. I was more interested in capturing the formation of clouds. They did form, but then they dissipated, and then they formed again but more sparsly before dissipating again.
This is fantastic when you’re filming time-lapses because the change is noticeable without being accelerated so you can imagine what it would give if you did speed it up.
The challenge with timelapse is knowing whether something will take minutes, hours, days or even longer to capture. I have one idea that I assess would take six or seven hours which I will not discuss at this stage.
Usually when I film timelapses I set the camera up so that it records one or two frames every so many seconds. In this case I just started recording. I did not know on what timescale the actions would occur so it gave me greater flexibility in post production.
The footage was sped up from 800 percent to 5000 percent. The clouds that were vanishing was fast. The river of clouds flowing down the valley was slower and thus sped up more. The other challenge is to decide how tight or wide you want the frame to be. With the trees and the river of clouds it’s hard to know whether to have a tighter shot where the action may render the frame boring sooner or wehter tom have a wide shot where the action only takes up half the screen.
In the end this is about gaining experience rather than getting things right first time. It’s about learning to see and anticipate how nature will behave. If you get it right then it can be of great beauty. If you get it wrong you ignore it and think of a new idea.
Later in the year, when Autumn comes we can expect the clouds to behave like this. It’s the “Soupe de Pois” as some call it. I have at least two or three ideas to experiment with and two of them can be done from the comfort of home.
I did see something exceptional on the way back down. A herd of five chevreuils as I drove down afer I finished getting my timelapse footage. That’s the most I’ve seen at once when driving.