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Virtual Reality Goggles and multicamera Production

I have worked with video cameras, from hi8 to MiniDV, Beta SP, SX, DVCAM, XDCAM, AVCHD and other formats. Cameras have grown and shrunk, controls have changed from manual to partially automated to fully automated. Television news and Studio camera productions have gone from three or four camera operators to needing a couple and then a single camera operator sitting in a side room with controls for all three cameras. Crane and jib moves are programmed so that the same action is performed at the start of each news program.

Virtual Reality technology and Virtual reality headsets are going down in price. Apps provide mobile phone users with 360° videos in normal vision and 3D. The technology we use to watch 360° content and immerse ourselves in the VR world could be adapted and made suitable for multi-camera production.

It would be nice for software to be written that moves the camera as we move our heads. This technology is already used by gunners flying in Apache helicopters. The point would be to adapt this technology to camera operating. I would manual controls for zoom and focus and a control  to lock off the camera once the desired shot is ready.

Imagine how much simpler controlling drone and crane cameras would be. Imagine also how much nicer it will be for conference attendees, concert goers and UN delegates if a smaller remote controlled camera could be used. Camera operators often obscure people’s view. This technology would be less intrusive. Camera operators could sit rather than stand for hours at a time, barely able to move.

VR goggles and the technology they contain should not be used just to consume a finished product but should instead be used as a creative/production tool. VR goggles and related tech could be used to simplify people’s work, to make it more intuitive. Multicamera production with VR goggles would reduce costs and make high-quality video coverage achievable even for modest budgets. The excuse for using a single webcam to Livestream an event will be gone making virtual attendance of events more enjoyable.

Tomorrow the multicam starts

Today’s been a long day, beginning at 9 with lectures and finishing at 1800 with tape logging and transcribing. It passed through some studio work, laying the floor, and such.

Tomorrow we start at 9am and continue till night in order to get all our shots finished with. We’ll get a lunch break so have to factor that into any planning.

I should have an early night but it’s halls and there’s alcohol around so others are drinking the night away and forgetting to adjust their volume control.

Vivement Samedi

La Grande Illusion des Quatre Cents Coups

C’est deux films que je vient de regarder.

I’m watching a lot of DVDs at the moment. I have neither television nor a fast connection, therefore, I take advantage to study the cinema. It’s a good way of spending time, of being transported into other timezones, towards other cities

I constantly find more information as the days’ progress

Only a few more days till my group’s multicamera and I’ll be busy every day until the end of the week. On the positive side, I haven’t been to the student bar to socialise. I have busied myself with work instead and my productivity has gone up.

I no longer see the appeal of going to a bar or nightclub where there are three or four people checking for trouble makers. Where alcohol is served to intellectuals great conversations ensue, where it is served to the less enlightened there is nothing but “ruine de l’ame.”

Last night I dropped by the library and explored the index pages, looking for information on documents. I found something about Arte and the films it selects. I found a few articles about Chinese cinemas and tributes to Jean Rouch. I photocopied them and have yet to read through them and digest the information that they provide.

I am getting closer and closer to the point at which I feel I can begin interviewing the relevant people as part of my research. That should be the best part of the work I’m doing at the moment.

I want to try making an observational documentary again, exploring new ideas, and getting an insider’s understanding of what I’ve been studying.

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Multicam work

There’s a studio, three cameras, four female dancers, one male. It’s a cabaret show yet no one is in costume. That’s because it’s a practice session for those who will be using the studio in two weeks.

I don’t like having a prompter on the front of the camera because it makes smooth movements harder to achieve. It doesn’t matter. I’ll get it right for the proper costumed event.