This documentary short takes you inside the fascinating world of film preservation and restoration. From Gravitas Docufilms. Featuring George Willeman, Liz Stanley, Jan-Christopher Horak, Patrick Loughney, Leonard Maltin, Hugh Munro Neely, Robin Blaetz, Allen Daviau, Anne Morra, Michael Gates, Robert A.
Objectified is a documentary about industrial design that has been divided into interviews with individuals about a diversity of designs, from the casing of the Mac Book Pro to chairs, a CD player that behaves like a fan and much more.
On Linkedin, this documentary has been cut up and split into chapters so that you can either watch the documentary in its entirety or you can watch it as video on demand with the designers you’re interested in or familiar with. It’s a contemporary implementation of the documentary genre because it assumes that you have five minutes at a time to devote to this documentary.
You also have the option of reading the transcript instead of watching the videos if desired. Some interviews are in French, German, Dutch, Japanese or English so you are not obliged to listen to an actor dubbing the interview or read the subtitles. You can simply lesson.
The reason for which I thought this documentary was blogworthy is that once you have watched the final edit version of the documentary you can watch the rushes. You can watch the interventions that were interesting but that was too long-winded or not compelling enough to make the final cut.
I like this. As an editor, we often work on videos and we rough cut to a video that’s three or four times longer than it should be and we listen, and we remove a phrase, and then another before we finally end up with the short version that is youtube or Instagram worthy. We feel that other sentences were interesting but because of limits with time and attention stay in the rushes bin.
In these clips we see the adjustments in shot size, we hear the person ramble and repeat themselves. We also see the video without cutaways or other embellishments. This lends a cinéma verité/direct cinema feel to the documentary. It’s easy to get half an hour to an hour’s worth of interview with each artist or designer and be forced to keep just the two most relevant minutes for the documentary.
Luckily with platforms like Linkedin Learning we can follow the course, i.e. Objectified, in this case, and call it a day, leaving the rest of the videos unwatched. We also have the option to expand and to learn more. I’m using Objectified as the example but there are plenty of topics and documentaries that would benefit from this approach to film making.
Plenty of Linkedin videos are of people reading from a prompter and you can see their eyes moving across the screen, and you can see that they’re pretending to be spontaneous rather than natural.
Documentaries, and Linkedin Learning are well suited, and more documentaries should make their way onto this platform.
The documentary is split in to volumes and each volume is divided in to sections. At the beginning of each section you have footage showing the diversity of landscapes in which people live as well as the people themselves. You see images of a caravan on a dune, images of a river delta, a fishing boat being unloaded.
People are answering questions about love, abuse, work and more. You feel compassion for these people because they stare straight in to the camera and they are speaking to us, who are in the audience. We feel compassion for these people, we are moved to laughter by some and to tears by others. There are some beautiful images created by what the people say.
One person speaks about buying things. He says that we don’t buy things with money but that we buy them with time. That is a beautiful and more accurate image than we are used to. I love gadgets and sports so I often think of how long an investment will take to offset. I used to think “in a week” I will have covered the expense.
Another image painted by words that I like is that of wealth and comfort. When you are poor the river is empty and so every stone is a challenge. With wealth you do not need to worry about the stones because the river is full.
It brings us to the “All Seeing Eye” that Vertov discussed at the very birth of the documentary genre. His ideal was to have cameras that would film and document “life unawares” as they went about their daily lives. In so doing the cinema was an observer, without interacting. Of course these are just interviews so there is some interaction between the camera operator and the talent on screen. They are meant to speak from the heart, without censor. They were meant to give us an honest representation of who they are and how they feel. It gives us a serious glimpse in to the lives of others.
it makes me think of the interviews I have listened to, of the stories I have heard told when I was logging and transcribing footage for a video archive. Some of the things people speak about are timeless and others are contemporary. With this documentary record of people’s thoughts and emotions so a moment in time is preserved. I have yet to watch the next volumes and will do so in the evenings. I recommend you take the time to watch at least part of these documentaries.
Sometimes you watch clips that impress you. In this case it’s a clip that scares me. I wouldn’t want to ride a unicycle down that type of landscape. Would you?
Sometimes I stumble across documentaries that I feel excel in their genre. One such documentary is Earthrace: The Power Boat Race around the World. This is a one and a half hour documentary charting the fundraising, awareness building, race preparations and then the actual race, including logistics and more.
I like this documentary because the editing rhythm is in keeping with the story. The story is told in a logical and chronological order with no excessive editing, no breathless commentary, no excessive use of music. It is one and a half hours exploring the project from its start until its temporary conclusion.
I like the use of timelapse for the Panama canal where we see the boat move in next to the container ship. I think the explanation of why the skipper had liposuction could have been explained much sooner in the documentary. I think it’s in the second documentary that we hear that the bio-diesel that was made from fat was used to first start the engines.
Some documentaries are filmed within a period of weeks or months but this one was filmed over four years. As a result the chronological structure of the documentary also makes sense. I was able to watch over an hour before I took a break, and then watched it until the end.
If you find this documentary interesting then there is a follow-up documentary about the successful circumnavigation of the globe.
For those who have a passion for Scuba diving I have found a group that you will enjoy. Vimeo has a group with over 1000 members and 2800 videos related to diving. Most of these videos are warm water dives and aquatic life.
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