London

Last night’s drive was amazing. It’s just the type of drive you want to have. It starts in the middle of the afternoon as a friend helps you load the car and you set off for a 900 kilometer drive. At the beginning you have to deal with London traffic/congestion. After this you’ve got part of the m20 that’s closed so you need to take a slip road. As I got into France I was welcomed by a lot of snow coming straight at me, like the windows screensaver from a decade ago. That meant I couldn’t really drive as fast as I wanted. Still made good time. For most of the journey the road was fine.The part I really loved is when I got off the motorway to go via the Jura. At this point it wasn’t snowing too much but as I progressed up the slopes and let the Garmin Nuvi 250 guide me along the path so I saw a little snow, and it started to stick. As I drove I had to stay awake and battle with the ever present threat of loss of adherence. That was the fun part of the drive. The road was covered in a thin layer of snow and people were driving more slowly. At moments I was chasing a snowplow across the mountains as it was salting the roads.At other moments there was no snow plow and I lost traction two or three times but kept the car in control. I occasionaly thought that I wouldn’t make it up the hills but I did, and I loved the view. The trees were covered in snow and they were lit by the grand phare. It’s memories from childhood. I’m glad I’ve spent so much time playing in car parks covered in snow to learn how the car behaved.At five in the morning the last thing you want to learn is how to drive in snow. Luckily I do.It made a nice transition from the student life I’ve been living over the past three years and the job seeking following that. I wanted the drive to be a transition from one phase in my life to the next. Now I’m  an employed graduate who’s working in Switzerland as of next Monday. This next chapter of my life should be fun. Â

Mcwflint - Feb 6, 2008

And from Twitter, you discover their blogs or the blogs they are reading, the videos they watch, the things they are thinking about which only leads to more people and more Twitters. I like how Twitter has shrunk the world for me so that my neighborhood isn’t just a geographical region of Flint Michigan in the United States. It includes people from Chicago and San Francisco, from London and Paris and .. Twitter is product reviews and conference debriefings. Thank you for your thoughtful explanation, one I plan to share

For you to understand what people are talking about on twitter there is one thing you should know. When you follow Dacort, Loudmouthman, loic Lemeur, Jeff Pulver or many other people including me you’ve got to follow those that they are talking to as well as those that are listening. By this I mean that twitter is not about individuals so much as community. If I spend the morning speaking to the English community then there are many names that will appear again and again. In so doin you’re going to be curious to see who’s on the other end. As a result of this you may decide to follow one person, then another and it continues. Over a period of days you may start following a dozen or more, people, maybe even hundreds. As two people follow two others so the six degrees of seperation comes into force. I have links into the London, Geneva and Paris community for example (in terms of face to face meetings) and many more people via online conversations. What this means is simple. If you follow the right core f people you’ve got easy access to some influential people. In fact you may be one of them without realising it. If twitter is simply about what you’re up to then that’s quite a restricted way of using twitter. To get the most out of twitter you have to find a good community and add it’s members. In so doing you can participate in some really interesting conversations. I’m within the social media conversation at the moment but over time as more groups participate so the conversation should be tailored to your needs. If you see someone @ another member see whether you can add that person too. Twitter is about the community, not individuals.

The tapeless workflow is a term used to describe video production without the use of tapes. That is to say that from the point the material is recorded in camera to the point it is distributed it never changes from being data. In other words television production has become a profession of data managment as some would say. A few production companies came to give demonstrations of their tapeless workflow system, at least in broad terms. Red Bee and Virgin Media showed how they have collaboratively brought the post production process to being a tapeless one. In order to do this good networking capability is needed and so is storage. They had to digitise over 40,000 tapes as well as face many more challenges. Some of these challenges have to do with meta data. Everyone is used to dealing with tapes. you shoot your material, you label it for post production and then store them for later use. When dealing with data though the mentality is different. Some productions have shot straight to P2 cards, backed up the day’s shoots to external P2 hard drives before sending them from China to London for example. Of course when doing this everyhting must be planned ahead. Part of this planning has to do with the compatibility between recording format and editing. If you get this wrong then you either don’t get the quality you were looking for or you slow down the process. That was part of a case study between Panasonic and two of it’s camera’s during a shoot in China. The second example was between Red Bee Media and Virgin Media in relation to the creative Village. The idea is that when the material is ingested by Red Bee media it’s saved to a central server from which it can be accessed by a number of workstations, from transcribing to tapelogging, editing and producer’s work stations. it also has to be available in two buildings. There are a number of advantages to this workflow. The first is that the work is available to the producers when they have the time to check the material rather than when everyone has ten free minutes. As a result the editor can edit a rough cut and a number of producers at up to two hundred workstations may check the edit and say whether they like it. If they don’t then it’s quick to make any changes that are required. It also means that there’s far less mess and expensive equipment is not tied up. When you’re working on post production dubbing to tape used to take a lot of time, real time and with DVD it’s quickly a messy affair. Files in an edit folder are far easier to deal with. I really like the idea o the tapeless workflow and i’m going to work on that for my own work, first with affordable equipment and then work my way towards more fun alternatives. It’s what we expect. No more ingestion time, no more dubbing time, just straight editing, agreement and finally output to a number of formats. Of course that’s not as easy as it sounds but post production companies are working on making this a smoother process.

unclr - Feb 3, 2008

I’m envious! :P

Me too!

Me too!

As I write this I’m playing with the new macbook air and already i-ve twittered and seesmiced from it. The keyboard is fine and the user interface is good. The only idiotic thing is the mouse button is far too small. I don-t see the point of such a thin slither of a mouse.  Now how many people are envious of me testing a macbook air? Now to test the multicontrols :-) update: Can’t test the multicontrols. Haven’t put any pics on so can’t test that feature. What a shame. update 2: The multifinger image manipulation is really fun. Everyone should try it. Turn it. Flip it. zoom in, edit, move over a little, more manipulation. I like it. Wait for the tech on some of the higher spec machines though. It’s got some nice technology.Â

The Tricaster is a Multimedia portable switcher. In other words it’s an OB van in a box. It’s a vision mixing deck on the light. They range from having two sources to six depending on your needs. Rather than have racks and racks of expensive gear to lug around for low budget shoots you get this gadget, plug in a few external sources and get your laptop plugged in. You can mix between a number of sources, do chroma key, play videotapes and even record onto internal drives. It’s not a bad alternative to think about when working on smaller scale multicamera productions

From the 30th of January to the 1st of February 2008 the VideoForum event was held at Earl’s Court in London so that Television and video professionals may meet and talk in a number of conferences, seminars and tutorials as well as on stands. During this time I got to see what were the major trends in the video producing environment in London and England as a whole. Cameras Two Red Cameras were on the Showroom floor yesterday, one owned by  Decodeuk and the other I am not sure about. It’s a nice camera in that it can shoot 2 to 4K but the price to rent per day is very high at the moment. It’s a technician’s camera rather than a cameraman’s camera. Other camers that I saw and thought of interest were the Canon XH A1 which is a beautiful camera and all the controls are in the right place. Two drawbacks are that it seems to record in interlace and that it’s only tape based. If it recorded to hard disk i would seriously think of getting it. The second camera was the Panasonic HVX-200 because the controls are directly accessible from the body of the camera rather than sub menues. It’s interesting because it records as well to P2 cards as to tape so there’s the option of both. The PMW EX-1 XDCAM is another really nice camera. I’m fond of Sony cameras and this is one of the nicer ones. With the ability to take two two XDCAM EX flash cards it has a potential of around 32 Gigabytes. The Flash cards are small therefore easier to deal with and carrying spares should be good. What I love about these three cameras as well as others is that they’re small as people move towards towards a new filming mentality. Of course you can go for the Sony F23, the F900 or others but these are small. Most of their size is due to the lens rather than the interior mechanism and they’re hand held rather than shoulder mounted. The VX1-E and subsequent cameras were great for shooting and once more these cameras are being made to create cameras that are very appealing to those that shoot video the same way as I do.

I went to the Social Media Coffee event this morning and met quite a few of the usual people including Deek, Sizemore, Londonfilmgeek and others. I got to know a few more twitter users a little better and that’s where I stayed for part of the morning. I’ve been networking a lot over the past few days and I think i need some time to think about all the new options. It’s good to get to these events and talk to people. Quite a few people are interested in twitter and because I’m edging so close to the 15,000 tweet mark they’re quite curious to know my thoughts on the topic. People are actually interested both in what twitter is and how twitter works. Over the months I have acquired a respectable amount of knowledge and people are starting to seek it which is great. That’s just one aspect of the Social Media cafe I saw today but there is one thing that’s going to change. If no one objects to it I will begin to record the conversations as they go on and edit a summary to make available both via the London Social Media Cafe website for people to consult and keep up to date. I am in discussion with Jeff Pulver of PulverTV to see about covering the London side of Social media so if you know of any events that may be of interest let me know so that I may organise coverage if it’s relevant.

Chillout® is an open source implementation of the DMP DRM software. The idea is to create a multiplatform toolkit that allows for the easy managment of rights for media files. Built with Java it has several levels of rights managment for a number of files. This includes encrytion software and more. For a PDF document of what I saw today it’s available here.