Films I Watched

Films I Watched

For years I didn’t watch many films but recently the habit has returned.

Blood and Gold

I am used to watching English or French films about the First and Second World War but recently I watched Blood and Gold, in German, with English subtitles. It’s interesting to watch a German film rather than a European one, for a different perspective of the war.

The film is set right at the end of the War, days before the Allies liberate Germany. Apparently some gold was left behind and promised to a guard but other people hid it.

The story is well told and I enjoyed it.

All Quiet On the Western Front

This is another, recent German film, set on the First World War, rather than the second. It follows a soldier from conscription until he is on the front line fighting. Some of the scenes and imagery of this film are interesting and unique. I think it’s another film worth watching. I like the cellar scene. I also find other scenes quite interesting.

Fury

Fury is an American film showing the war from a tank crew’s perspective. A typist/clerk is signed up to be part of a tank crew and objects to this, as he doesn’t want to be involved in killing people. Eventually he changes his attitude.

If you watch just one scene of this film watch the scene in the apartment after a town has been liberated. It shows a glimpse into what life could have been like, during the Second World War.

If I was to be absurd about this film I would say it reminded me of Black Hawk Down, but with a tank rather than a Blackhawk helicopter.

And Finally

Twenty years ago I watched plenty of film genres but found that war films are my favourite genre and this holds true today. Every war film is a different story, and with war films you’re not envious of their lives. You feel empathy for their situation, and you feel compassion for moments like the one in the apartment, but at the same time, you don’t feel bad about your own life. That’s what I like about War Films. You don’t feel Fear Of Missing out, FOMO. For the most part you want people to get out alive, and without being traumatised, whenever possible.

In contrast, with normal films, and especially during lockdown, you’re jealous and envious of their lives, and miserable about what your own life is. During the depths of Lockdowns people living alone were completely isolated. We still are, but now it’s a moral and ethical choice, rather than no choice at all.

That I can watch films, even if they are just war films, shows that I have recovered from Pandemic solitude. I am getting the ability to watch television series, and even films again. That’s encouraging.

Parents and Solitary People

During the worst of lockdown, and even after it was decided that vaccines alone were good enough, and people decided to deny that Long COVID was a risk, we could see a massive difference between parents and people without children.

Although parents speak of the hardship of being trapped in apartments with their children unable to play outside, they had normal lives within the home. Feed, cook, play, work remotely, feed cook, play, work remotely. They were isolated, but within a family, within a social group.

Compare that to the complete solitude of people living alone, without children, without a lover, with nothing.

That solitude still hasn’t ended, and never will, for as long as the friends of COVID continue spreading COVID, and running the risk of Long COVID.

On Twitter, and to some degree the Fediverse, we see that some people still take the pandemic seriously, but they are few and far between. That’s why absurd people like me mask. I’m absurd because pretending the pandemic is over, like everyone else does, would be easy. It would take a mental switch and I would be normal. By normal I mean absurd.

When Camus wrote about the man is absurd for not feeling grief, he was speaking about the absurd individual. I think that today it is society that has become absurd, and the individual that has become rational. The rational wearer of a mask. The rational person who does not want to see the pandemic as over, only to get Long COVID, and regret it for the rest of his life.

I saw two articles in the last day or two, about how Long COVID is incurable for 75 percent of those who fall sick with it.

Conclusion

When I return to having a normal life, of flirting, doing things socially, and more, I will be able to watch normal things again. For now the war film genre fills a need I need, to feel empathy for others, without feeling sadness for myself.

Fearless Netflix Documentary
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Fearless Netflix Documentary


Fearless is a documentary produced by Netflix, exploring the life of bull riders that come from Brazil, to the US to compete in 26 competitions to see who is the best bull rider. This documentary is interesting because, for the most part it is in Portuguese with English subtitles.



https://www.youtube.com/watch?v=DT0avi4Qy3E


Big in Brazil


In Brasil there is an event Barretoswhere 900,000 people, at the time the documentaries were made, go to watch bull riders compete against each other. Bull riding is a unique sport because a person tries to hold on to a bucking bull as it tries to throw the rider off. The rider gets point for style, but so does the bull. If the bull throws the rider off within eight seconds then the rider gets zero points. If the rider stays on then they can get up to 90 points.


Dangerous


The sport is very dangerous because it’s a small human being, on a big bull. They can get thrown and land on their head and break their neck, trampled, headbutted, and more. They can get their arms or legs caught. They risk injury in a multitude of ways. The paradox is that it lasts for eight seconds. All of that danger and risk, for an activity that lasts a few seconds.


If you look at the stats you can see how often bull riders are thrown off their bulls. It’s impressive to see that people fall from two or more meters onto the ground and often walk away. it’s interesting to watch the helpers get in front of the bull to block its path when the rider is bucked off.


It’s a strange sport because the humans are injured, rather than the bulls. The bulls are fine aftre the competition.


Glimpses of How They Train


An aspect of the documentaries that I like is that we see that it’s not just that they ride bulls, and that is it. They train. We see a five or so year old child try riding a calf and get thrown several times. “Do you want to ride again?” “yes”. We also see a slightly older girl practice riding on the barrel. “Stay on, don’t let go” as the barrel mounted on a spring goes forwards and backwards, and from side to side.


We also see how the adults train, how they ride the grown up equivalent of a rodeo bull, how they react, how they “dance” to keep their balance and to negate the movements made by the bull to throw them off.


Fear


Although the documentary series is called Fearless it explores the riders and how they deal with fear, injury and continue riding. They explore how the riders are confident, until they are injured, and how they recover from the injury and it’s physiological and psychological effects. They use the analogy of broken eggs, and how one or two riders get injured, but seem unphased.


One rider speaks about how he retired, and never once missed bull riding. Another questions whether to retire at the end of the season.


And Finally


I am familiar with Razeteurs, bull fighting and the Running of the Bulls. I have even witnessed the running of the bulls in a small village. Bull riding is one version I have never really thought about, because in Europe Bullfighting, bull running and Razeteurs are more common. I watched this documentary by fluke, and I like the subject matter.


It explores family, bull riding in the US and Brazil, about family, life as a migrant in the US, with little to no English, and more. It’s a good subject matter. It is well filmed, well edited, with good use of event commentator and bull rider interviews.

World Television

World Television

Now that I know that I can treat Netflix as an international film festival I do. Last night I watched the first episode of Crash Landing on You. A South Korean film about a woman CEO who goes for a parapente flight, gets caught in a storm, and dropped in North Korea. 


https://www.youtube.com/watch?v=eXMjTXL2Vks


The premise of this television show is interesting because it’s based on a true incident with a South Korean celebrity, but also because this is something we think about much less, especially in Europe, since most borders ceased to be watched. 


In my own lifetime borders between France, Switzerland and other countries have been closed down for the most part. We can walk between countries without ever showing our passports. I often drive from Switzerland to Spain without showing a passport. It’s nice. Europe is a village. 


That’s where Crash Landing on You is so interesting. It shows us a completely different culture, one where borders still exist. If you’re in the US or other countries, where borders still hold importance then the cultural interest is diminished. 


I watch the content in Korean, with English subtitles that are sometimes displayed too briefly in some cases. They need to rethink the reading time of subtitles. 


It’s great that Netflix actively encourages people to search for content by original language, but also that if we choose to watch Korean, French, or other language content, that it shows associated content. It’s a way of making Netflix more international, more multicultural, and more inclusive. 


Until I found this feature I felt that Netflix was to US centric and that the content on offer was of no interest to me, for the most part. 


Now that view has changed, as I have a wealth of new content to watch. 

Netflix – Browse By Language
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Netflix – Browse By Language

Recently Netflix added a Browse by Language option which means that you can browse for content by original language. Yesterday I saw that I can browse for content in French, Italian, Polish,, Korean, German and many more languages. I could list more but that’s dull. Instead I want to focus on the opportunities it opens up. 



With YouTube, Apple Films and other platforms you can search for films but they are either in French, German or Italian in Switzerland and it’s hard to find content that is in its original language. 


For English speaking YouTube creators they always say with “frogspawn VPN you can pretend you’re in country A to watch content from there” etc. This does appeal to me in rare situations. What appeals more is the freedom to search for French, Italian or Korean content. By watching a film made in French, Italian, Korean or any other language you are entering a different culture. 


One of my favourite films, when I watched 90 films in the span of 9 months or so was that I saw films I would not otherwise see. Brotherhood, the Korean film is excellent. I also really enjoyed Hong Kong martial arts films. 


It is for this reason that last night I watched the King’s Affection, episode 1.


https://www.youtube.com/watch?v=P4zM7jHdVFc


With Netflix and Amazon Prime it is was to get stuck watching US and UK content without thinking of watching content in other languages. Netflix has now made it possible to explore the world of film and television, on an international, cross-cultural scale. You have thirty two languages to choose from. Now you see why I didn’t list them all earlier. 


Last night Netflix removed Young Sheldon from Netflix Switzerland so I was angry. I cancelled my subscription until I noticed the browse by language feature, and then Netflix became as rich and diverse as a film festival. By selecting Russian, Romanian, Telugu or another language you travel through space and time to other cultures, other values, and different ways of seeing the world. 


I had skimmed over Netflix France and noticed that they had a lot of extreme sports content. 


https://www.youtube.com/watch?v=w_86DhJsW2w


And Finally


Film and Television is a great way to discover new languages, new cultures, and new ways of seeing the world. By making Netflix more international they are helping to bring more people into contact with more cultures. This is good. 

Cutting down on Facebook, Instagram and Youtube

Cutting down on Facebook, Instagram and Youtube

The Issue


For a while Facebook was the network to keep in contact with university friends after we all graduated and then it was the network to keep in contact with colleagues. Eventually it became the network where people shared news without engaging with others. It has become a network where you scroll through dozens of irrelevant posts in the hope of finding something personal, and failing.


Instagram used to be the network where we could share images with friends and see what they were sharing. After Facebook bought Instagram it grew out of favour with people sharing between friends. Now when I use facebook I need to scroll by an advert from the second post onwards. They have flooded Instagram with so many adverts that it has become unusable.


When youtube was young we were able to look through 30-60 videos and find some that were of interest. We would need to wait for videos to buffer and then watch the desired content. Today we no longer need to wait for videos to buffer, we need to wait for adverts to pre-roll the obligatory five seconds before clicking to content we want to watch.


The Solution


It’s 2019 and I have reduced the amount of time I spend on Facebook favouring news websites, Twitter and other web portals. When Yahoo and other companies were still young we called them web portals. Facebook has shifted from being a social network to being a web portal. It has undermined person to person communication. It has undermined its unique selling point. If I want to browse through news or information websites I can use newsreader apps, web portals or visit worpdress.com


In its hayday Instagram was unique because it downscaled and uploaded images in the time it took for us to prepare the text that went with an image and we could share it despite little bandwidth. Today it has become yet another multimedia sharing option with the drawback of having to flick through adverts. They have degraded the experience so much that I have uninstalled the app from at least one of my phones. I decided that I would pay, at least for now, to preserve the thirty six thousand images on Flickr. I also paid because I want to move away from the Facebook monopoly. On Flickr I am the client, rather than advertisers.


On multiple occasions I have binge-watched content by youtube creators, sometimes for hours at a time. The issue that I have with youtube now is that they have made it challenging to find new and interesting content. This is because they have reduced the amount and diversity of videos that we can see on the home screen. It is also due to the amount of pre-roll that we have to sit through before the video starts. I often give up before the pre-roll videos have ended. The reason I gave up on YouTube content watching is the request for us to pay 20 CHF per month in Switzerland to watch content without adverts. That is more expensive than Netflix, Curiosity Stream and the same price as I would pay for a telecom provider’s various content packages. I wouldn’t mind if this content was paid for and produced by youtube and if youtube creators such as myself could monetise content, but we have been demonetised.


That’s why I stopped using Youtube. For Video On demand, I have Netflix for general interest content. I have CuriosityStream for documentaries and I have Swisscom TV for random content that is “broadcast” when I am watching television.


Conclusion


By blogging I am developing my creativity and writing skills. By sharing images on Flickr and other services I am contributing to communities where people are sharing images because they love photography rather than to become web celebrities. Finally I want to cut down on YouTube because browsing is no longer straight-forward.

Mythbusters: A Fun Documentary Series
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Mythbusters: A Fun Documentary Series

Recently Netflix Switzerland made Mythbusters available on their service. As I watched episode after episode I noticed the camaraderie between those who participate in the show. We see that Adam and Jamie occasionally argue but that overall they are having a lot of fun. We see them laugh, joke, tease each other, and collaborate.


Their show is a science show where fun myths are challenged. They have two goals with each myth, establish whether it is confirmed, plausible, or busted. They then scale up and reproduce the results.


The first two seasons are short and low budget using prosumer cameras and we notice the difference between camera image quality from shot to shot. The first “season” as it is called on Netflix Switzerland must be the pilot episodes.


Information taken from the Wikipedia page
Information is taken from the Wikipedia page


The first episodes of the season are great because their editing style is good. Every minute of the program covers something new. In later seasons, at least for the broadcast versions and those shared via youtube advertising provisions ruined the watchability of the show. I am speaking of the lead in each segment and the lead out.


Netflix is paid for directly by the customer and there are no ad breaks. As a result of this, I would re-edit content for the 50-minute duration rather than broadcast the TV edit. It allows for the producers of the show to provide more content and information to their audiences.


Netflix content should be reformatted for a longer viewing duration. It should take advantage that there are no commercial breaks to get content to flow without fade to blacks and without repetitions. It should also take in to account binge viewing.


Documentaries will benefit from services such as Netflix and Video on Demand. They will benefit because they can edit content to be seen without commercials and without the constant need for repetition. As a result, rather than have 40 minutes of content and 10 minutes of repetition documentaries will have 50 minutes of content for the viewer.


Two stories or more are usually explored per episode and in the earlier episodes, you have cut from one story to the next no more than two times. As they produce more episodes so the editing goes from Story A to B to A to C to A to B to A again and then to C. This flip-flopping between experiments results in the editor having to summarise what happened before and what they want as a result frequently. This repetition is optimal if people watch just five minutes of a program but ruins the viewing experience for those watching an entire episode. Let’s see if they resolve this issue for Netflix.

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An Open letter of complaint to Netflix Switzerland.

Dear deceptive content distributors,

When I have wanted to watch a number of documentaries the subtitles have been in German on english commentary documentaries. As a paying customer I expect English language versions to have English titles, English subtitles and English location information.

If you do nothing to resolve this problem I will stop paying monthly for your content as you are not delivering what I am paying for. Do not cut corners. Be professional.