Negotiating overhangs is physical, fun and sometimes scary. It is for this reason that the Via Ferrata de Thônes via ferrata section is such fun. It gets your adrenaline pumping as you fight to keep hold and clip and unclip in the relevant sections. It forces you to overcome your fear of being over the void. The third section of the Via Ferrata de Saillon is a challenge for the very same reason.
The video above shows rock climbers at the IFSC World cup negotiating an overhanging wall and trying various techniques to get further than other people. We see how they use heel hooks and go for it before losing their grip and falling. This footage is fun because we see them work to solve the problem in a number of ways and then fall. When they fall the belayer slows down but does not stop the fall so it looks as if they are falling towards the ground. Imagine an ordinary person getting that sensation. It would scare them.
Fear is good because it keeps us safe. It means that we’re thinking of the consequences and we are aware of the dangers. It means that we will only progress within our comfort level. If we have doubt we can climb down to the nearest quick draw and rest. If we ignore that fear then we may fall. By staying in our comfort zone we are safer.
When you’re climbing you know when you have good foot holds and hand holds. You also know how long you will be able to stay in that position. The more afraid you are the more energy you burn. That’s why positioning is important. In the video above we see that one person decided to climb feet first through the overhanging section. Our leg and feet muscles are much stronger than our arm muscles so they allow us more time to think of a solution. With time all of these climbers could have negotiated that section.
The Klettersteig Rider 3.0 is a dual system via ferrata kit. It has a carabiner like standard via ferrata kits have and a “rider” system. The “rider” system fixes to the via ferrata cable and progresses with you. As you get to a part where you need to switch you move the rider system up first and then you move the carabiner.
What I like about this system is that if you slip or lose grip of the rungs for any reason you will only fall the length of the connector rather than the length from where you are to the most recent pig tail. This reduces the fall distance by a considerable amount.
The Via Ferrata where I would most like such a system is Leukerbad. On the Leukerbad Via Ferrata when you get to the last third there are few handholds so you rely on finger and arm strength to progress and you get tired. With this system you would relieve that strain to some extent. It would make me feel more at ease.
At 229 CHF from at least one online shop this kit is expensive. You can get Via Ferrata sets for between 60-115 CHF as a beginner. This kit is interesting for people who, like me, have practised Via Ferrata for years and use their kits every weekend in summer. Via Ferrata sets can last for years so if you estimate that you will use it from 3-5 years the price is acceptable.
An alternative is the Austrialpin Hydra via ferrata set. It’s 60 CHF cheaper but you only block on the cable when you need a rest rather than continuously. The third option, and the most used option is a sling with a carabiner. This is also the cheapest option.
“If you were young and healthy and if they needed labour then you were selected as slave labour. You would have suffered a slow death rather than a fast one”. This soundbite is 13 minutes in.
In this documentary a concentration camp survivor takes two girls who are the age she was when she arrived through the camp and tells them about her experiences.
We owe it to future generations to keep re-sharing these accounts and documentaries to prevent such actions from ever happening again.
I have just finished watching the documentary and I feel almost shell shocked. I have been to the camp and I have read about the topic. I have also watched a number of topics on this topic. What makes this the most poignant documentary is that this woman, this grandmother of eight is making sure that future generations are aware of what Auschwitz life was like. She tells us about survival.
Winter is coming and snow has fallen on the local peaks and then melted again. The temptation to go snowboarding in real life is back. While waiting to go and do sports in the real world Ubisoft give us the opportunity to simulate the experiences of snowboarding, skiing, base jumping and paragldiding.
I know three of these sports. I ski, I snowboard and I recently tasted my first paragliding flight.As I watched the trailer above and Jack Septiceye’s video of the game it reminded me of so many of the extreme sports videos I have watched. It also reminded me of the FIFAD event as well as the Montagne En Scène events. It pays a nice tribute to the culture of snowboarding and extreme sports that many of us have grown up with. It also harkens back to the days when I would edit the events that are mentioned in the trailer to this game.
This would be a good game to have in the chalet while waiting for the snow to fall or the conditions to improve.
I understand why the game filled me with passion. I liked seeing places that we know. It’s because the game developers are in Annecy so they’re playing in the same landscape as us. They’re snowboarders and skiers so they understand the sensations and they’re trying to emulate them in the game. When watching the paragliding sequences I like that we hear the flight computer’s beep as you ascend at different rates. It’s one aspect that you really notice the first time you try paragliding. That’s a nice touch for the game.
From the videos I have watched so far it looks as though they have managed to capture all of these sensations in the game. This looks like a really enjoyable game to play. The game should provide people with a nice amount of escapism. As they get used to the controls and as the community for this game grows so the ties that bind this community will grow. It looks excellent.
A century ago Dennis Arkadievitch Kaufmann, more commonly known as Dziga Vertov, the spinning top, came up with the concept of the All-Seeing Eye. The Kinoki. The Cinema Eye. His idea was that with time life unawares could be documented and daily life would be captured by cameras for everyone to see.
Until recently the idea of filming and documenting everyone with video and photo cameras was an act of fiction. Rolls of films had only 36 frames and DV tapes only lasted 63 minutes. Cameras were dedicated devices that you did not have with you at all times and to take pictures was expensive and you needed space for storage.
If we were to take 36 pictures I think we would have paid 1.20 CHF per image recently. DV tapes were about 15 CHF per tape depending on how many you bought at once.
Today we have two or three cameras with us at all times with gigabytes of storage. With the iPhone we could easily take a thousand pictures in a day if we had a way of recharging the battery halfway through.
We also have the means to share these images. We have Instagram, Facebook, Twitter, YouTube and Whatsapp. We also have blogs. We could mention Flickr and SmugMug but they have angered those who loved their site to the point of losing their users.
When I was streaming live from Paléo a few years ago I was groundbreaking by using the phone and QIK or Bambuser.
Fast forward a few years and live streaming of music events has progressed.
We have gone from cameras that were stuck on the ground and barely moved to FPV video cameras that fly and follow snowboarders as they jump and slide down mountain faces. The camera no longer needs to be on the ground to be steady and get good images. Without weight the Kinoki can see scenes like this:
These all-seeing eyes can also fly in the landscape and show us the world as only a wingsuit flyer could have seen it in the past. We can see the same things without risking our lives or devoting hours of training to get to the right level of competence.
We then see Paris in the 1900s and now. We see how some things have stayed exactly the same and how other things have changed. The main difference is that in the 1900s it would have been a wooden camera with a wooden tripod and in modern days a carbon fibre tripod with a modern camera.
There is also this footage of 1900s Paris in colour.
The All-Seeing Eye then takes us to 1911 New York and we see life with cars and people walking across a street. Sound was added later.
An old-style educational video of how hydraulic steering works.
Compare to this modern documentary
When we jump forward a few decades we have this footage of 1960s London.
Of course the diversity captured by the All Seeing Eye does not stop there. We often come across arts that are preserved by a single individual, which thanks to the all seeing eye, is preserved for future generations
When I was on one of my daily walks I expected that this would be a long written blog post about theories and reasoning but in the end it becomes a collection of videos to explore the diversity of topics that the “all-seeing eye” can capture. The topic is broad and this is just a tiny glimpse.
Documentaries have been a passion of mine for as long as I can remember. This year I started with the Documentary Rome’s Lost Empire narrated by Dan Snow. With Sarah, an associate professor they travel from Rome to Transylvania, to Petra and to Tunisia to uncover the Roman Frontier. Using a mixture of both satellite and Lidar imagery they are able to identify archeological sites before going to them in person. The documentary provided me with a greater understanding of how technology helps archeologists today to do their job and to provide me with information about aspects of Roman Civilisation that I had not spent too much time thinking about. For this reason I recommend that you watch the documentary.
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