Wolverine – an ice climbing video
After doing some research some ice climbers find a spectacular and physical ice climb. We see their progression from a variety of angles as well as the occasional fall.
The Golden Dream, known in Spanish as The Golden Cage is an observational film that follows three teenagers as they travel to Guatemala along railroad tracks north towards the United States. During the journey they need to work to make money, face attacks from the police, immigration police and gangs. When one of the characters finally arrives in the US he works cleaning a slaughterhouse after the workers have finished their shift.
Trump supporters and Brexit voters need to watch these films because the trip from economically less developed countries to economically more developed countries is not an easy one. It requires the taking of risks. In this context they face organised crime, heat and other challenges.
I watched this film at the Graduate Institute yesterday night. It was shown within the context of the Global Migration Film Festival. During the discussion at the end of the screening the panel spoke about some of the other challenges that people face such as human trafficers and more. Two aspects we do not see are the injuries that people sustain falling off of trains and rape is alluded to rather than shown.
from Cassette for timescapes on Vimeo.
People need to watch these documentaries and films. Awareness of these issues needs to be endemic to the Western World. Yesterday they said something to the effect that “This is not a crisis, this is a norm.” They said that because this was a situation that has been going on for decades changes need to be made. Permanent solutions need to be found to improve the lives for all of those that are affected.
It is a shame that rather than see a growth in compassion and cooperation we are seeing people like Trump elected and ideas like Brexit adopted. The trend needs to be reversed and that is where documentaries and films can help open peoples’ eyes. Society needs to move away from populism and fast.
I love sports and I love the outdoors. I really like snowboarding when the conditions are good and when there are few people. I love to climb, to hike and to do via ferrata. Last year during a film festival I was invited to try Paragliding for free and the flight lasted 45 minutes.
In light of this you can see why the Gopro Hero 5+ karma above is so fun for me to watch. It’s not that I want a gopro camera. I’ve had at least two of their devices and except for filming two or three dives and two or three via ferrata the cameras have stayed in drawers or boxes. GoPro show adventures and experiencers that I aspire to. For this reason we want to watch these edits. We enjoy these edits.
Modern film making does away with cranes, jibs and tripods replacing them with drones and devices like the Karma Grip. If you look at the adverts you see that video production has shifted from being a profession to a pass time. At the time of writing the Grip costs about 350 CHF and the drone has not been priced. GoPro is competing directly with DJI and their product line.
With systems like GoPro and DJI are providing the term prosumer evolves. Thrill seekers and adventurers get to play with technology that they can afford to buy and use during their trips or weekend adventures. With this technology fixed cameras are a thing of the past. The camera moves with the action. In practice the camera operator doesn’t need to be an athlete to get in position to get the shot. Assistants are no longer required to carry heavy gear. You carry everything in a bag on your back and it’s ready to use within a short amount of time.
Advertising and documentaries don’t mix and this is especially true in the US. When you have ad breaks every 5-10 minutes telling a story is impossible. You have to think of the people tuning in half way, and you need to think of those leaving after just one ad break. As a result of this the documentary has to be sensationalised. It also needs to be a loop. Mythbusters are a series that I enjoyed watching for many months. As the series progressed however they were made less watchable. The reason for this is coping with the advertising regime of the channels on which they are broadcast.
On watching these documentaries episode after episode you spend three quarters of your time being told what happened before and what’s going to happen afterwards. New content is about twenty percent of the show. If you were to cut down their shows to remove the repetition you’d go from a one hour programme to a 15 minute show. This is perfect for the web, but impossible to watch on television.
Commercial broadcasters say that they have to fight for the audience’s attention, that they have to make it as sensationalistic and entertaining as possible. They need to use breathless reporters, they need to use advanced graphics and more. They blame the audience for not having the attention span to sit through 45 minutes of content without switching.
The audience is not to blame. It’s the content interruption that is to blame. Television adverts are disruptive. They usually add nothing to the enjoyment of a show. Television watching, as it’s broadcast, has become old fashioned. Why watch something live when you’re going to waste twenty to thirty percent of that time watching adverts for products that are of no use to us as consumers at this point in our lives. If we record the show using a PVR we can skip the ads and watch the show almost without interruption. It’s pleasant. It’s efficient.
Advertisers are not happy with this. They want a guarantee of eyeballs. That’s where our new media landscape comes in. Video on Demand is so convenient today that if we like an advert we’ll go to youtube and other sources, find the advert and watch it. You don’t need a show for people to watch the advert. You don’t need an advert to pay for the content.