It is interesting to watch Slow motion climbing because you get to see precisely what people are doing. You get to see how each muscle group is moving and you see how much the body swings as someone jumps from one hold to another. It allows you to appreciate the subtlety of the moves.
People like to say that rock climbing is about technique rather than strength but it is evident from these slow motion sequences that muscle groups are working hard. You see the arm muscles, the arm muscles and the back muscles move. You also see how the legs act as counterweights. The video above would be better if it was one or two minutes.
The same can be said about the video below. What makes slow motion interesting is to catch details that you would not otherwise notice. Ideally slow motion edits should show the action in real time and then show the same action in slow motion. The beauty of slow motion is that you can see how technically perfect a move was. In some cases a person starts from vertical and goes for another hold. In this action they go from vertical to horizontal, swinging on their fingertips. Slow motion brings the effort to life.
There are other moments where a massive effort, when seen in real time, is clear to see When you watch that same motion in slow motion it looks relaxed and serene. That is the beauty of this medium.
Slow motion should highlight the beauty of a well executed move to help emphasise that it was technically good. Slow motion should be used sparingly.
Sometimes people share interesting videos as animated gifs. When I see these interesting videos I quickly google the search term and find the complete video. I then share it.
I am happy that youtube is being sued because out of the hundreds of video sharing websites out there it is the most devious. It has taken hundreds of hours of content produced at great expense by teams of professionals and offered them in poor quality for nothing on their site. To make it worse it’s made them billions of dollars.
How can the mega corporations, through the intermediary of the RIAA give so much trouble to those who share music let allow youtube to thrive. It doesn’t make sense.
What about all those video sharing websites that went about making content and distributing it the right way? What about those who decided that they would provide a service at no cost to themselves. I’m speaking of those guilty of unlawful distribution of video material.
It’s a website about deception, look at lonelygirl, look at the coke and mentos adverts. Look at the ball in groin laughter. It’s all a form of sadistic pleasure. Why would you want to be manipulated in such a way.
On the positive side it was fun to see the world cup celebrations and I uploaded some video of my own in response to other people’s content.
When it’s used as a video version of flickr it’s an excellent website because it’s an audiovisual window onto the world where a vast wealth of video content may be accessed. Good snowboarding, post it, good party, post it, personal work you’re proud of, post it.
Everyone of us is a content producer and distributor and everyone of us is challenging himself to create something that other people will enjoy. Geocities was about websies, the original sixdegrees was inspired by the film to show that everyone is related throough less than six people to everyone else. Blogging allowed people to reount their lives to anonymous audiences, flickr allowed the sharing of instants and video sharing websites allowed for the sharing of moments.
Is it voyeuristic to look at online videos and photographs made by friends and random strangers and is it exhibitionist of them to show that content? Is it wrong to look at it?
I would participate in this more actively were it not for the droit d’image. I don’t want others posting pictures of me without my consent and I won’t post pictures of others without their consent.
Doesn’t mean I won’t keep looking. It’s fun to constantly refresh the most recent pictures on flickr and see all the events that have been taking place around the world.
Translated from French, Sport the nicest of meetings reminds me of the legend that is told in Il Nuovo Cinema Paradiso. In Il Nuovo Cinema Paradiso we hear about the guy who waits outside a woman’s window for one hundred days and nights to show his devotion to her, and in the end he loses interest.
This is following the same theme except that rather than a man lusting after a woman it is the other way around. Instead of a woman using crappy dating apps and other rubbish she sees someone she finds visually appealing and so decides to take up running. At first she is slow but with time she gets fitter and she can keep with the group for longer and longer.
Eventually she excels beyond the group and she pulls alongside the guy, just long enough to make us believe in the stereotypical ending but nope, she pulls ahead and continues running. You take up sport because you want to seduce but eventually your passion for the sport takes over.
A century ago Dennis Arkadievitch Kaufmann, more commonly known as Dziga Vertov, the spinning top, came up with the concept of the All-Seeing Eye. The Kinoki. The Cinema Eye. His idea was that with time life unawares could be documented and daily life would be captured by cameras for everyone to see.
Until recently the idea of filming and documenting everyone with video and photo cameras was an act of fiction. Rolls of films had only 36 frames and DV tapes only lasted 63 minutes. Cameras were dedicated devices that you did not have with you at all times and to take pictures was expensive and you needed space for storage.
If we were to take 36 pictures I think we would have paid 1.20 CHF per image recently. DV tapes were about 15 CHF per tape depending on how many you bought at once.
Today we have two or three cameras with us at all times with gigabytes of storage. With the iPhone we could easily take a thousand pictures in a day if we had a way of recharging the battery halfway through.
We also have the means to share these images. We have Instagram, Facebook, Twitter, YouTube and Whatsapp. We also have blogs. We could mention Flickr and SmugMug but they have angered those who loved their site to the point of losing their users.
When I was streaming live from Paléo a few years ago I was groundbreaking by using the phone and QIK or Bambuser.
Fast forward a few years and live streaming of music events has progressed.
We have gone from cameras that were stuck on the ground and barely moved to FPV video cameras that fly and follow snowboarders as they jump and slide down mountain faces. The camera no longer needs to be on the ground to be steady and get good images. Without weight the Kinoki can see scenes like this:
These all-seeing eyes can also fly in the landscape and show us the world as only a wingsuit flyer could have seen it in the past. We can see the same things without risking our lives or devoting hours of training to get to the right level of competence.
We then see Paris in the 1900s and now. We see how some things have stayed exactly the same and how other things have changed. The main difference is that in the 1900s it would have been a wooden camera with a wooden tripod and in modern days a carbon fibre tripod with a modern camera.
There is also this footage of 1900s Paris in colour.
The All-Seeing Eye then takes us to 1911 New York and we see life with cars and people walking across a street. Sound was added later.
An old-style educational video of how hydraulic steering works.
Compare to this modern documentary
When we jump forward a few decades we have this footage of 1960s London.
Of course the diversity captured by the All Seeing Eye does not stop there. We often come across arts that are preserved by a single individual, which thanks to the all seeing eye, is preserved for future generations
When I was on one of my daily walks I expected that this would be a long written blog post about theories and reasoning but in the end it becomes a collection of videos to explore the diversity of topics that the “all-seeing eye” can capture. The topic is broad and this is just a tiny glimpse.
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