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the tapeless workflow – Videoforum
The tapeless workflow is a term used to describe video production without the use of tapes. That is to say that from the point the material is recorded in camera to the point it is distributed it never changes from being data. In other words television production has become a profession of data managment as some would say.
A few production companies came to give demonstrations of their tapeless workflow system, at least in broad terms. Red Bee and Virgin Media showed how they have collaboratively brought the post production process to being a tapeless one. In order to do this good networking capability is needed and so is storage. They had to digitise over 40,000 tapes as well as face many more challenges.
Some of these challenges have to do with meta data. Everyone is used to dealing with tapes. you shoot your material, you label it for post production and then store them for later use. When dealing with data though the mentality is different. Some productions have shot straight to P2 cards, backed up the day’s shoots to external P2 hard drives before sending them from China to London for example. Of course when doing this everyhting must be planned ahead.
Part of this planning has to do with the compatibility between recording format and editing. If you get this wrong then you either don’t get the quality you were looking for or you slow down the process. That was part of a case study between Panasonic and two of it’s camera’s during a shoot in China.
The second example was between Red Bee Media and Virgin Media in relation to the creative Village. The idea is that when the material is ingested by Red Bee media it’s saved to a central server from which it can be accessed by a number of workstations, from transcribing to tapelogging, editing and producer’s work stations. it also has to be available in two buildings.
There are a number of advantages to this workflow. The first is that the work is available to the producers when they have the time to check the material rather than when everyone has ten free minutes. As a result the editor can edit a rough cut and a number of producers at up to two hundred workstations may check the edit and say whether they like it. If they don’t then it’s quick to make any changes that are required. It also means that there’s far less mess and expensive equipment is not tied up.
When you’re working on post production dubbing to tape used to take a lot of time, real time and with DVD it’s quickly a messy affair. Files in an edit folder are far easier to deal with.
I really like the idea o the tapeless workflow and i’m going to work on that for my own work, first with affordable equipment and then work my way towards more fun alternatives. It’s what we expect. No more ingestion time, no more dubbing time, just straight editing, agreement and finally output to a number of formats. Of course that’s not as easy as it sounds but post production companies are working on making this a smoother process.
Sending HTC M8 phones to the Middle of the Stratosphere
A few months ago I saw the video of a mobility scooter going fast across snow. The video was shared as an anim gif with no context. As I explored the diversity of content on Youtube I came across Colin Furze videos. In one project he sent mobile phones to the Middle of the Stratosphere at about thirty three thousand meters.
He usually produces at least two videos. The first video usually shows him building his latest project and the second video shows him using the finished project. To celebrate the million subscriber marks he creates fireworks contraptions. He has created a hover bike, a centripetal chicken cooker, an underground bunker, magnetic shoes, a jet powered barbecue and has tried to set fireworks off in the stratosphere.
When you look at individual videos you see that they can get up to nineteen million views. He has just over three million subscribers at the time of writing this blog post. I suspect that he has more video views than subscribers because of the subject matter. As the projects vary from jet propulsion to mobility scooters to cooking content is compelling part of the time. Youtube also recommends his content so we might watch it through recommendations rather than direct searches for specific terms or keywords.
In the video where he tried to make magnetic shoes to walk across a ceiling we see him try and fail several times before he finally manages to achieve his goal. Once his goal is achieved the video ends and you can “wait” for next week’s video to appear online. When you learn about youtube personalities weeks, months or years in to their “career” the more content you can watch in a single sitting.
What unique or eccentric topics or projects could you document?
Dirty Gold War screening at the Graduate Institute.
I went to watch Dirty Gold War at the Graduate Institute at lunch time today. The film is interesting because it makes you think about the environmental impact of gold mining. We’re familiar with the stories of gold mines in South Africa. We’re familiar with the stories of the gold rush. We don’t often think of the environmental impact of Gold mining in rain forests in Latin America. This documentary introduces the topic well.
It brings our attention to the fact that when people buy luxury products like gold watches, bracelets and other objects they are buying objects that have no environmental or ethical credentials. It leads us to question when the luxury industries will be accountable to such considerations.
Mobile Phones, laptops, televisions and other devices all contain traces of gold. If that gold is sourced from environmentally unfriendly sources then we are contributing to the destruction of the rainforests and the poisoning of ecosystems. Fairphone and other companies with such goals benefit from such documentaries because we are shown why their goals are so important. It contextualises their mission and their reason for being. It also helps to put pressure on all electronics manufacturers to do more to reduce their impact on the environment.
Dirty Gold is a topic that does not get much attention. As I reach the conclusion of this blog post I find that Dirty gold points to a music album rather than gold mining. We need to raise awareness of this topic. People are wearing wedding wings, luxury products and using electronic devices that are in part for the degradation of the environment. As awareness of these issues grows so companies like Apple, Sony and others should work to ensure a clean product line, from raw material in the ground to the finished product.
The Dawn Wall film
One of the reasons for which this film is so powerful is that it’s written in the way that Heinrich Harrer wrote about the Eiger. It’s documenting not just a single attempt but the entire process. In doing so we get to know the people well. It gives us some context about their early days and then it spends a big amount of time on the process that led to a
When we watch short films about climbing we sometimes see the trials and errors but those trials and errors are over days and weeks, not seasons and years. It documents the process by which Tommy Caldwell spent years exploring the entire rock face to find a route that was practicable. This is the level of detail that we got in The White Spider. You even have some of those ice falls in this film although only briefly.
One of the nicest moments in this film, and in this story, is when Tommy Cadwell gets to the Wine Tower and decides that, instead of continuing up the climb he would wait until Kevin Jorgenson made it across pitch 15. That’s a great example of friendship, companionship and compassion. It’s great when people suspend their own goals for another person in this fashion. That’s what makes climbing and practising other people so much better. It’s finding people that want you to succeed as much as they want to succeed themselves. “I don’t want this victory to be alone,”
I also like how this film is shot. I like the use of tight shots on the hands, of tight shots on the feet, of shots from down in the valley looking up and of wide shots where you see the climbers and the crew filming. I also like the use of timelapse. This, to a great
It does have some great mapping of the routes on that wall. These maps are used to show the routes that other people have created, the routes that he climbed to get to know the wall and then the routes that he opened himself. The most fascinating use of mapping is when you see all of the variants that he explored before climbing the Dawn Wall successfully. You see a few metres here and there, you see how some create longer routes, and then you see the variants. You also see the gaps where they’re facing a challenging climb.
I think that one of the strengths of this team is that it’s made up of a boulderer and a rock climber. With this combination you have two distinct climbing specialities, that when combined offer a great pairing. One example is the dyno move. As a boulderer part of the game/art of this discipline is being able to make jumps that catch tiny finger holds. The strength of having a rock climber is that he has gained experience of climbing techniques, route finding. In this case the fact that Tommy Caldwell has spent so long studying this problem is that he knows the climb by heart.
I would definitely recommend watching this film if you like climbing as a sport, like reading about climbing and like watching it. I would also recommend it if you want to see a film about collaboration and compassion. How it was filmed and edited is also worth the time. I never found bits long or boring. It’s an excellent film.