Big Dreams – A BBC documentary series
13 years to circumnavigate the glope using Human power. That’s a nice challenge to set yourself. It’s even nicer to complete.
Advertising and documentaries don’t mix and this is especially true in the US. When you have ad breaks every 5-10 minutes telling a story is impossible. You have to think of the people tuning in half way, and you need to think of those leaving after just one ad break. As a result of this the documentary has to be sensationalised. It also needs to be a loop. Mythbusters are a series that I enjoyed watching for many months. As the series progressed however they were made less watchable. The reason for this is coping with the advertising regime of the channels on which they are broadcast.
On watching these documentaries episode after episode you spend three quarters of your time being told what happened before and what’s going to happen afterwards. New content is about twenty percent of the show. If you were to cut down their shows to remove the repetition you’d go from a one hour programme to a 15 minute show. This is perfect for the web, but impossible to watch on television.
Commercial broadcasters say that they have to fight for the audience’s attention, that they have to make it as sensationalistic and entertaining as possible. They need to use breathless reporters, they need to use advanced graphics and more. They blame the audience for not having the attention span to sit through 45 minutes of content without switching.
The audience is not to blame. It’s the content interruption that is to blame. Television adverts are disruptive. They usually add nothing to the enjoyment of a show. Television watching, as it’s broadcast, has become old fashioned. Why watch something live when you’re going to waste twenty to thirty percent of that time watching adverts for products that are of no use to us as consumers at this point in our lives. If we record the show using a PVR we can skip the ads and watch the show almost without interruption. It’s pleasant. It’s efficient.
Advertisers are not happy with this. They want a guarantee of eyeballs. That’s where our new media landscape comes in. Video on Demand is so convenient today that if we like an advert we’ll go to youtube and other sources, find the advert and watch it. You don’t need a show for people to watch the advert. You don’t need an advert to pay for the content.
360 timelapse videos provide us with interesting new opportunities. Imagine for example placing the camera out to see near Weymouth beach and watching as the tide comes towards the camera and then beyond it towards the city. Imagine watching as the sun rises on one side of the Leukerbad Valley and sets on the other. Imagine that BBC Natural history unit sequence of sand dunes moving across the landscape one day at a time for a year.
Two days ago I was tempted to try a timelapse video with the Ricoh Theta S. My plan had been to take the camera up to La Barillette and film a timelapse. From this point of view you can see the whole of the Lac Léman. You can see from Geneva to Villeneuve on a good day. With a weather system like we have at the moment you can watch clouds form and dissipate. You can also see the shadows left by those clouds and more. With a standard timelapse camera you would see just a small part of the scene. With a 360 timelapse you could look out towards the Alps or around at the cars and hikers. You could look up at the mast and more.
I say that you could do this because there are high winds up there and you need a heavy tripod to keep the camera from falling and breaking one of the lenses. You also need to find something to do while the camera is working.
Yesterday morning was clement, we had clouds and blue sky so I was able to try a timelapse. I set the camera to take an image every ten seconds for an unlimited amount of time. The settings on this camera give you great flexibility with timing. You can go from every eight seconds to setting a much longer amount of time.
You can set the interval to take pictures from every 8 seconds to every 60 minutes and 59 seconds.
You can either preview the image as a spherical image or as an equirectalinear image. Once you are happy with the settings you can start capturing. In yesterday’s test I was able to get more than 600 images on a single battery charge when the camera was set to take a picture every ten seconds.
The obvious limiting factor with this camera for timelapses is battery life. As soon as the camera is plugged in to a power source it turns off and starts to charge. As a result charging and taking pictures at the same time is not possible. There is also the minor issue of having the USB charge port right next to the tripod screw. You would need to modify a plate to charge the camera at the same time. The camera lasted for about 100 minutes before the battery died.
With the Ricoh Theta S and final Cut Pro X post production is efficient. You are dealing with images with a resolution of 5,376 x 2,688 pixels. That qualifies as UHD. You can import the image sequences from your timelpases straight from FCP X cutting out the need for other apps. Once the images are imported your your event you can open a new project at full resolution. I added the UHD image sequence to the timeline, created a compound clip and then used the speed tool to adjust the duration.
I still need to do some research about how to export the edit at full resolution. As I was given an error message I decided to export the video as 1920×960. This worked flawlessly. I used the Spatial Media Metadata Injector to add the necessary image meta data and then uploaded the injected video to youtube.
I look forward to finding ideas and projects that will take advantage of what 360 timelapse videos have to offer. I feel that it provides us with an opportunity to better understand how time and light evolve in a spherical environment.
Squadron Scramble is an interesting book to read in post-BREXIT England because it highlights aspects of the Second World War that BREXITers forget about. It looks at how the main character had to flee France via Dunkirk as well as the situation that Polish airmen had found themselves in. First they lost their homes, then they had to flee France when it was invaded and finally they went to England via North Africa.
You can read more about Polish Air Forces in France and Great Britain following this link for factual rather than fictional information and context. The book provides us with an easy to read, easy to understand scenario. If you had lost your country and you were flying for a third country would you want to shoot pilots as they parachute to safety or would you allow them to live.
If you were in England during the Second World War at what point would you have felt secure and confident that Germany would be overwhelmed and beaten. When would the battle shift from a fight for survival to a fight for supremacy?
This book focuses on the air war during daylight hours when Hurricanes and Spitfires were in their element and only glimpses at dog fighting at night. The book touches superficially on a number of topics without providing as much depth and context as it could.
This is an interesting documentary about the Polish contribution to the Battle of Britain. It shows how effectively they helped to fight the German Luftwaffe and how they were betrayed by the British people once the war was over. They had fought to defend England and defeat the Germans in order to ensure that their country would be freed from the Germans only to be betrayed when their country was handed over to the communists. Some of them went back to Poland but had to flee to other countries. They were not honoured in the victory parade either. The documentary is interesting as it provides its viewers with a good account of the Polish contribution to the British and Allied war effort.